Bach Bibliography
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Series : [p]BICB_Warsaw
Year : 2006
Your search has generated the following results ...
TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Baron, Carol K.:   Rethinking Music History and Biography in Early Modern Germany: Interactions and Discrepancies between German Political Historiography and German Music History. [p]BICB_Warsaw (Jul 2006)
2. Erhardt, Tassilo:   King David and 'God-pleasing Church Music'. [p]BICB_Warsaw (Jul 2006)
3. Gibson, Jonathan:   Hearing the Viola da Gamba in 'Komm, süsses Kreuz'. [p]BICB_Warsaw (Jul 2006)
4. Hill, Andrew:   Provisional Conclusions from a Study of J.S. Bach's Lute Transcriptions of his 5th Suite for Unaccompanied Violoncello. [p]BICB_Warsaw (Jul 2006)
5. Kennaway, George:   Nineteenth Century Editions of Bach's Suites for Solo Violoncello. [p]BICB_Warsaw (Jul 2006)
6. Kyprianides, Christine:   What's Wrong with this Picture? Confronting the Obvious in the Bach Cello Suites. [p]BICB_Warsaw (Jul 2006)
7. Leahy, Anne:   Nun komm der Heiden Heiland: settings by the seventeenth-century predecessors of J.S. Bach. [p]BICB_Warsaw (Jul 2006)
8. Leaver, Robin A.:   Concio et Cantio: the Counterpoint of Theology and Music in Lutheran Perceptions from Praetorius to Bach. [p]BICB_Warsaw (Jul 2006)
9. Ledbetter, David:   A Question of Genre: J.S. Bach and the 'mixed style'. [p]BICB_Warsaw (Jul 2006)
10. Lutterman, John:   'Cet art est la perfection du talent': Improvised Solo Performance, the Accompaniment of Recitative, and Chordal Thoroughbass Realization on the Viol and Cello [p]BICB_Warsaw (Jul 2006)
11. Noh, Ohran:   The Tactus in the Context of Twentieth and Twenty-First Centuries Interpretation of Johann Sebastian Bach's Aria mit verschiedene Veränderungen (Goldberg Variations), BWV 988: The Affektenlehre in Glenn Gould's Recording of 1981. [p]BICB_Warsaw (Jul 2006)
12. Oleskiewicz, Mary:   Rewriting the Recent Past: Icons, Anecdotes, and the Music of Eighteenth-Century Berlin. [p]BICB_Warsaw (Jul 2006)
13. Paczkowski, Szymon:   A Polonaise duet, composed for a merchant, a professor and a king. On the Cantatas BWV 205, 205a, 216 and 216a by Johann Sebastian Bach. [p]BICB_Warsaw (Jul 2006)
14. Peters, Mark A.:   Aria Forms and Scorings in J. S. Bach's Cantatas to Texts by Mariane von Ziegler. [p]BICB_Warsaw (Jul 2006)
15. Strohm, Reinhard:   Metaphor and transcendence: the 'other meanings' of the B Minor Mass. [p]BICB_Warsaw (Jul 2006)
16. Swack, Jeanne:   Anti-Judaism and the Lutheran Cantata: the Cantatas for Judica Sunday of Georg Philipp Telemann. [p]BICB_Warsaw (Jul 2006)
17. Tatlow, Ruth:   The Use and Abuse of Fibonacci Numbers and the Golden Section in Baroque Music. [p]BICB_Warsaw (Jul 2006)
18. Terefenko, Dariusz:   Keyboard Pedagogy in the Baroque Period-Improvising Partimento Fugues. [p]BICB_Warsaw (Jul 2006)
19. Tomita, Yo:   Reconstructing Bach's conjugal conversation. Re-assessing the contribution and the musicological value of the work of Anna Magdalena Bach. [p]BICB_Warsaw (Jul 2006)

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Last revised on 2 May 2011 by Yo Tomita