Bach Bibliography
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Book type : t
Year : 2010
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Alípio, Alisson:   O processo de digitação para violão da Ciaccona BWV 1004 de Johann Sebastian Bach. diss. (2010), 123p
2. Boršulâk, Al'ona Miroslavìvna:   Stil'ova evolûcìâ simvolìki 'pasìonnostì': Baroko ta romantizm. diss. (2010), 267p
3. Callahan, Michael Richard:   Techniques of Keyboard Improvisation in the German Baroque and their Implications for Today's Pedagogy. diss. (2010), xvi, 293p
4. Engelsdorfer, Amy Lynne:   Pedagogical and Compositional Techniques in Treatises by Augustus Frederic Christoph Kollmann and Johann Bernhard Logier. diss. (2010), 680p
5. Exner, Ellen:   The Forging of a Golden Age: King Frederick the Great and Music for Berlin, 1732 to 1756. diss. (2010), xiv, 327p
6. Friedrich, Siegfried:   Aspekte der Tonhöhenausdeutung in Johann Sebastian Bachs Das Wohltemperierte Klavier, Band I und II sowie in Franz Schuberts Die schöne Müllerin: Zum Auffassungsmodell eines 'intentionalen Tones' als Verbindungsglied zwischen Tonhöhenwahrnehmung und kompositorischer Tonhöhenbedeutung. diss. (2010), 610p
7. Gordeeva, Elena Vladimirovna:   Muzykal'naâ leksikografiâ smyslovyh struktur v klavirnyh tekstah I.-S. Baha. diss. (2010), 263p
8. Hammes, Andrea:   Johann Christian Bach in Leipzig: die Rezeption seiner Werke von 1750 bis 1800. diss. (2010), 112p
9. Knyt, Erinn Elizabeth:   Ferruccio Busoni and the Ontology of the Musical Work: Permutations and Possibilities. diss. (2010), xvii, 624p
10. Lachat-Sarrete, Priscille:   L'entrée du soliste dans les concertos de 1750 à 1810, à travers les œuvres de Johann Christian Bach, Haydn, Mozart, Viotti et Beethoven. diss. (2010), 652p
11. Miller, Ann Elizabeth:   Pure 3rds or 5ths: Great violinists' solutions to a problematic incongruity. diss. (2010), 206p
12. Plutalov, Denis V.:   Dmitry Shostakovich's twenty-four preludes and fugues, op. 87: An analysis and critical evaluation of the printed edition based on the composer's recorded performance. diss. (2010), 121p
13. Psujek, Jennifer Lauren:   The Intersection of Gender, Religion, and Culture in Nineteenthcentury Germanic Salons. diss. (2010), v, 73p
14. Sarlo, Dario:   Investigating Performer Uniqueness: The Case of Jascha Heifetz. diss. (2010), 430p
15. Shkolnik, Guy:   The Thematic Potential and Its Realization in Selected Fugues from J.S. Bach's Well-Tempered Clavier. diss. (2010), 208p
16. Sullivan, Daniel:   J.S. Bach and permutational design. diss. (2010), 126p
17. Waszynski, Barbara:   Das Übernahme der Datensätze aus der Bach Bibliography von Yo Tomita in das Bibliothekssystem des Bach-Archivs: Erarbeitung eines Konzeptes für eine gestufte Konvertierung. diss. (2010), 90p

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Last revised on 2 May 2011 by Yo Tomita