Bach Bibliography
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Türk, Daniel Gottlob:   Klavierschule, oder Anweisung zum Klavierspielen für Lehrer und Lernende, mit kritischen Anmerkungen. (1789), viii, 408, 12, 15p
Review:
MLetters xlvi (1965) 153-154 (Howard Ferguson)
2. Riemann, Hugo:   Geschichte der Musiktheorie im IX. - XIX. Jahrhundert. (1898), xx, 529p
Review:
MLetters lxix/1 (1988) (M. Everist)
3. Abdy Williams, Charles Francis:   Bach. (1900), xi, 223p
Review:
MTimes xli/687 (1 May 1900) 316-317
MTimes lxxv/1097 (Jul 1934) 619-620 (H.G.)
MLetters xv/4 (Oct 1934) 367-368 (Scott Goddard)
4. Boughton, Rutland:   Bach. (1907), 170p
Review:
MTimes lxxi/1054 (Dec 1930) 1087-1088 (H. G.)
MTimes lxxii (1931) 23-26 (p.s. by the author)
MLetters xii/1 (Jan 1931) 96-97 (Sc. G.)
5. Tiersot, Julien:   Jean-Sébastien Bach. Avec quarante-huit planches hors-texte. (1912), 106p
Review:
MLetters xv/4 (Oct 1934) 360 (C. S. Terry)
RevueMcol xv/52 (Nov 1934) 237 (A G)
ActaMcol vii/3 (Jul-Sep 1935) 126-127 (Hans Engel)
6. Dolmetsch, Arnold:   The Interpretation of the Music of the XVII and XVIII Centuries. Revealed by Contemporary Evidence. (1915), 493p
Review:
MLetters xxv (1944) 247 (D. S.)
7. Terry, Charles Sanford:   Bach's Chorals, Part I: The Hymns and Hymn Melodies of the 'Passions' and Oratorios. (1915), xv, 74p
Review:
MTimes lvii/875 (Jan 1916) 23
MLetters xiv (1933) 176 (W. G. Whittaker)
8. Terry, Charles Sanford:   Bach's Chorals, Part II: The Hymns and Hymn Melodies of the Cantatas and Motets. (1917), xiii, 615p
Review:
MLetters xiv (1933) 176 (W. G. Whittaker)
9. Wilson, Archibald W.:   The chorales: Their origin and influence. (1920), v-vii, 77p
Review:
MLetters ii/1 (1921) 90-91 (R. O. Morris)
10. Forkel, Johann Nicolaus:   Johann Sebastian Bach, His Life, Art and Work. (1920), xxxii, 321p
Review:
MTimes lix/904 (Jun 1917) 281
MLetters ii/2 (Apr 1921) 183 (M. D. C.)
MLetters xiv (1933) 176 (W. G. Whittaker)
11. Terry, Charles Sanford:   Bach's Chorals, Part III: The Hymns and Hymn Melodies of the Organ Works. (1921), xiv, 361p
Review:
MLetters iii/3 (Jul 1922) 310-315 (Ernest Newman)
MLetters xiv/2 (1933) 176 (W. G. Whittaker)
12. Sceats, Godfrey:   The Liturgical Use of the Organ. (1922), 47p
Review:
MLetters iv/1 (1923) 103 (D. Hopkins)
13. Grace, Harvey:   The Organ Works of Bach. (1922), xvi, 319p
Review:
MLetters iv/1 (Jan 1923) 102 (D. Hopkins)
14. Werker, Wilhelm:   Studien über die Symmetrie im Bau der Fugen und die motivische Zusammengehörigkeit der Präludien und Fugen des 'Wohltemperierten Klaviers' von Johann Sebastian Bach. BachSt 1 (1922), 356p
Review:
BachJb xix (1922) 72-88 (Arnold Schering)
ZsfMw v/8 (May 1923) 461-466 (Georg Schünemann)
ZsfMw v/8 (May 1923) 466-473 (Rudolf Steglich)
MLetters viii/1 (Jan. 1927) 85-86 (Sc. G.)
ZsfM xc/7 (1923) 145-148 (Alfred Heuß)
15. Weidig, Adolf:   Harmonic Material and its Uses. (1923), 423p
Review:
MLetters v/2 (1924) 228-289 (Ernst Walker)
16. Werker, Wilhelm:   Die Mattäus-Passion. BachSt 2 (1923), 96p
Review:
BachJb xx (1923) 78-90 (Rudolf Steglich)
MLetters viii/1 (Jan 1927) 85-86 (Sc. G.)
17. Tovey, Donald Francis (ed.):   Forty-Eight Preludes and Fugues / J. S. Bach. (1924), 183, 197p
Review:
MTimes lxv/980 (Oct., 1924) 895-899 (Harvey Grace)
MLetters xii/4 (1931) 378-383 (Ernst Walker)
18. [Meynell, Esther]:   The Little Chronicle of Magdalena Bach. (1925), 183p
Review:
MTimes lxvi/989 (Jul 1925) 616-617 (H. G.)
MLetters vi/3 (Jul 1925) 277-278 (Ernest Newman); xv/3 (Jul 1934) 270-271 (M. R. Bonavia)
19. Meynell, Esther:   The Little Chronicle of Magdalena Bach. (1925), 183p
Review:
MLetters xv/3 (Jul 1934) 270-271 (M. R. Bonavia)
MEducatorsJ xxi/4 (Feb 1935) 62 (Charles N. Boyd)
20. Terry, Charles Sanford:   Joh. Seb. Bach: Cantata Texts, Sacred and Secular. With a reconstruction of the Leipzig Liturgy of his Period. (1926), xx, 656p
Review:
MTimes lxvii/1000 (Jun 1926) 526-527
MLetters vii/3 (Jul 1926) 271-272 (S. G.)
BachJb xxiii (1926) 165-167 (Arnold Schering)
MLetters xiv/2 (Apr 1933) 176 (W. G. Whittaker)
21. Hannam, William S.:   Notes on the Church Cantatas of John Sebastian Bach. (1928), 128p
Review:
MLetters ix/2 (Apr 1928) 179 (Sc. G.)
22. Meyer, Hans:   Linie und Form: Bach - Beethoven - Brahms. (1928), 236p
Review:
MLetters xiii/1 (Jan 1932) 94 (E. W.)
23. Terry, Charles Sanford:   Bach. A Biography. (1928), xix, 292p
Review:
MLetters ix/4 (Oct 1928) 393-394
MTimes lxix/1028 (Oct 1928) 904-905 (H. G.)
SundayTimes (1928) (Ernest Newman)
MLetters xiv (1933) 176 (W. G. Whittaker)
24. Valentin, Erich:   Die Entwicklung der Tokkata im 17. und 18. Jahrhundert (bis J. S. Bach). diss. (1928), 143p
Review:
MLetters xii/4 (Oct 1931) 414-415 (E. B.)
25. Terry, Charles Sanford:   The Origin of the Family of Bach Musicians / Ursprung der musikalisch-Bachischen Familie. (1929), 22p
Review:
MTimes lxx/1041 (Nov 1929) 991
MLetters xi/1 (Jan 1930) 98-99 (Sc. G.)
26. Borkowsky, Ernst:   Die Musiker Familie Bach. (1929), 88p
Review:
MLetters xii/3 (Jul 1931) 301 (C. S. T.)
27. Terry, Charles Sanford (ed.):   The Four-Part Chorals of J. S. Bach. (1929), xii, 539p
Review:
MTimes lxx/1035 (May 1929) 417 (M.-D. C.)
MLetters xiv (1933) 176 (W. G. Whittaker)
JChurchM vii (1965) 14
MEducatorsJ li/6 (Jul 1965) 87 (Theodore F. Normann)
Notes xxii/4 (1966) 1307 (Catharine Keyes Miller)
28. Terry, Charles Sanford:   John Christian Bach. (1929), xvi, 373p
Review:
MLetters xi/2 (Apr 1930) 199 (Sc.G.)
MTimes lxxi/1046 (Apr 1930) 324 (G.)
RevueMcol xi/34 (May 1930) 132-133 (Dorothy Swainson)
ZsfMw xiv/4 (Jan 1932) 226-227 (Heinrich Miesner)
29. James, Philip:   Early Keyboard Instruments from their beginning to the year 1820. (1930), 153p
Review:
MLetters xi (1930) 411-413 (Francis W. Galpin)
30. Mojsisovics, Roderich von:   Bach-probleme. Polyphone Klaviermusik. (1930), 69p
Review:
Orchester(Regensburg) viii/8 (15 Apr 1931) 92 (R.H.)
MLetters xii/3 (Jul 1931) 307 (A. H. F. S.)
31. Richardson, Alfred Madeley:   Helps to Fugue Writing: Based on Bach's ''Das Wohltemperirte Klavier''. (1930), 90p
Review:
MTimes lxxi/1048 (Jun 1930) 516 (H. G.)
MLetters xii (1931) 89-90 (Sc. G.)
32. Kittler, Günther:   Geschichte des protestantischen Orgelchorals von seinen Anfängen bis zu den Lüneburger Orgeltabulaturbüchern. (1931), 112, 3p
Review:
MLetters xiii (1932) 233 (E. Walker)
33. Schwebsch, Erich:   Johann Sebastian Bach und die Kunst der Fuge. (1931), 355p
Review:
MLetters xii/4 (Oct 1931) 410-411 (Isobel Munro)
Mf ix/3 (1956) 358-359 (Rudolf Stephan)
Mf xliv (1991) 197-198 (Dieter Gutknecht)
34. Tovey, Donald Francis:   A Companion to 'The Art of Fugue' (Die Kunst der Fuge). J. S. Bach. (1931), 79p
Review:
MLetters xiii/2 (Apr 1932) 224-229 (Isobel Munro)
RevueMcol xiii (1932) 118 (M L Pereyra)
35. Tovey, Donald Francis (ed.):   Die Kunst der Fuge (The Art of Fugue) by Johann Sebastian Bach. (1931), x, 127p
Review:
MLetters xiii/2 (Apr 1932) 224-229 (Isobel Munro)
36. Arnold, Frank Thomas:   The Art of Accompaniment from a Thorough-Bass, as practised in the XVIIth and XVIIIth centuries. (1931), xxiv, 918p
Review:
MLetters xiii (1931) 230-233 (R. O. Morris)
MTimes lxxiii/1067-68 (Jan, Feb 1932) 32-34; 123-125
37. Sirp, Hermann:   Die Thematik der Kirchenkantaten J. S. Bachs in ihren Beziehungen zum protestantischen Kirchenlied. [1] BachJb 28 (1931), 1-50
Review:
MLetters xiii/4 (Oct 1932) 437 (C.S.T.)
38. Schering, Arnold:   Der Thomaskantor Joh. Gottlob Harrer (1703-1755). BachJb 28 (1931), 112-146
Review:
MLetters xiii/4 (Oct 1932) 437 (C.S.T.)
39. Miesner, Heinrich:   Mitteilung. Einige neu entdeckte Notizen über die Familie Friedemann Bachs. BachJb 28 (1931), 147-148
Review:
MLetters xiii/4 (Oct 1932) 437 (C.S.T.)
40. Winkler, Heinrich Alexander:   Die Bachstätte in Eisenach. Der Streit um Johann Sebastian Bachs Geburtshaus. ThüringHeimatSchr 2 (1931), 46p
Review:
Orchester(Regensburg) ix/17 (1 Sep 1932) 71 (R.H.)
MLetters xiii (1932) 436 (C. S. T.); xv/3 (Jul 1934) 268 (C. S. Terry)
41. Dreetz, Albert:   Johann Christian Kittel, der letzte Bach-Schüler. (1932), 96p
Review:
MLetters xiv/1 (Jan 1933) 67-68 (C. S. Terry)
42. Mohr, Ernst Werner:   Die Allemande. Eine Untersuchung ihrer Entwicklung von den Anfängen bis zu Bach und Händel. (1932), viii, 159p
Review:
MLetters xiv/1 (Jan 1933) 81-82 (H. V. F. Somerset)
43. Terry, Charles Sanford:   Bach's Orchestra. (1932), xv, 250p
Review:
MLetters xiv/2 (Apr 1933) 176-177 (W. G. Whittaker)
MTimes lxxiv/1085 (Jul 1933) 608-609
MTimes lxxvi/1103 (Jan 1935) 58 (J. E. Duncan); no.1106 (Apr 1935) 350 (Janet Micklethwaite)
GalpinSocJ xii (May 1959) 100-102 (Eric Halfpenny)
MLetters xl/1 (Jan 1959) 74 (Eric Blom)
Musica xiii/3 (1959) 209 (Hermann Keller)
MOpinion lxxxii (1959) 243 (H. H.)
MTimes c/1395 (May 1959) 265 (Denis Stevens); c/1397 (Jul 1959) 391 (Thurston Dart); c/1399 (Sep 1959) 467 (Walter Emery)
TimesLiterarySuppl (27 Feb 1959; 13 Mar 1959) (Walter Emery)
RassegnaM xxix (1959) 179-181 (a. m.)
Mf xix/2 (Apr-Jun 1966) 220-221 (Georg von Dadelsen)
44. Pirro, André:   Comment jouer Bach sur l'orgue. RevueM(4) 13/131 (Dec 1932), 19-26
Review:
MLetters xiv (1933) 193
45. Schneider, Max (ed.):   Quodlibet: ein Fragment für vier Singstimmen mit Generalbaß / Joh. Seb. Bach. VeröffNBG 32/2 (1932), 36p + 1 St
Review:
MLetters xiii (1932) 435 (C. S. Terry)
46. Reinhart, Walther:   Die Aufführung der Johannes-Passion von J. S. Bach und deren Probleme. (1933), 90p
Review:
MLetters xv/4 (1934) 359-360 (C. S. Terry)
SchweizerischeMzSängerBl lxxiv/9 (1 May 1934) 321 (Dv.)
47. Smend, Friedrich:   Bachs Kanonwerk über 'Vom Himmel hoch da komm ich her'. BachJb 30 (1933), 1-29
Review:
MLetters xv/3 (Jul 1934) 268-269 (C. Sanford Terry)
48. Schering, Arnold:   Kleine Bachstudien. BachJb 30 (1933), 30-70
Review:
MLetters xv/3 (Jul 1934) 268-269 (C. Sanford Terry)
49. Hey, Gotthold:   Zur Biographie Johann Friedrich Bachs und seiner Familie. BachJb 30 (1933), 77-85
Review:
MLetters xv/3 (Jul 1934) 268-269 (C. Sanford Terry)
50. Schünemann, Georg:   J. G. Walther und H. Bokemeyer. Eine Musikerfreundschaft um Sebastian Bach. BachJb 30 (1933), 86-118
Review:
MLetters xv/3 (Jul 1934) 268-269 (C. Sanford Terry)
51. Borris, Siegfried:   Kirnbergers Leben und Werk und seine Bedeutung im Berliner Musikkreis um 1750. diss. (1933), 110p
Review:
MLetters xv/4 (Oct 1934) 360-361 (Eric Blom)
52. Landshoff, Ludwig (ed.):   Die 15 zweistimmigen Inventionen und die 15 dreistimmigen Sinfonien / Joh. Seb. Bach. EdPeters 4201 (1933), 63p + 2 Beil
Review:
MLetters xv/4 (Oct 1934) 356-358 (Alfred Einstein)
RevueMcol xv/51 (Aug.1934) 177-178 (Maurice Cauchie)
53. Freyse, Conrad (ed.):   Eisenacher Dokumente um Sebastian Bach. VeröffNBG 33/2 (1933), 47p
Review:
MLetters xv/2 (Apr 1934) 190-191 (C. S. Terry)
54. Meynell, Esther:   Bach. (1934), 136p
Review:
MLetters xv/3 (Jul 1934) 275-276 (Scott Goddard)
MTimes lxxvi/1103 (Jan 1935) 29-33 (H.G.)
55. Menke, Werner:   History of the Trumpet of Bach and Handel. (1934), 141p
Review:
MLetters xvi/2 (Apr 1935) 150-151 (Francis W. Galpin)
BrassWorld ix/1 (1974) 4-6 (Henry Meredith)
BrassBul (1973), No.5/6, 149
56. Meyer, Ernst Hermann:   Die mehrstimmige Spielmusik des 17. Jahrhunderts in Nord - und Mittel Europa. HeidelbergStMw 2 (1934), 258p
Review:
MLetters xvi (1935) 347-348 (A. Einstein)
57. Danckert, Werner:   Beiträge zur Bachkritik. JenaStMw 1 (1934), 72p
Review:
MLetters xvi (1935) 160, 256 (C. S. Terry)
MKirche vii (1935) 137-138 (Karl Ziebler)
58. Dickinson, Alan Edgar Frederic:   The Art of J. S. Bach. (1935), 296p
Review:
MLetters xvii/2 (Apr 1936) 164-165 (C. S. Terry)
MTimes lxxvii/1118 (Apr 1936) 328 (W. McN)
MTimes xcii/1302 (Aug 1951) 355-356 (W. McN.)
MLetters xxxii/2 (Apr 1951) 163-165 (W. S. Mann)
Tempo no.19 (Spring, 1951) 37, 39 (Dennis Stevens)
Notes viii/3 (Jun 1951) 529 (Helen E. Bush)
MReview xii (1951) 234-235
59. Steglich, Rudolf:   Johann Sebastian Bach. (1935), iv, 160p
Review:
ZsfM cii/6 (1935) 668-669 (author)
ZsfHausmusik iv (1935) 155-160 (Erich Doflein)
SchweizerischeMzSängerBl lxxv/11 (1 Jun 1935) 424-425 (Dv.)
MLetters xvii/2 (Apr 1936) 164 (C. S. Terry)
60. Spitta, Philipp:   Johann Sebastian Bach. (1935), xi, 388p
Review:
MLetters xvii/2 (Apr 1936) 163-164 (C. S. Terry)
SchweizerischeMzSängerBl lxxvi/8 (15 Apr 1936) 251 (Dv.)
61. Gurlitt, Wilibald:   Johann Sebastian Bach. Der Meister und sein Werk. (1936), 78p
Review:
SchweizerischeMzSängerBl lxxvi/20 (15 Oct 1936) 564 (Dv.)
ZsfM civ/2 (1937) 203 (Friedrich Högner)
MKirche xvii/3 (1947) 87 (Walter Blankenburg)
MLetters xxix/4 (1948) 417 (J. A. W.)
Mf iii/1 (1950) 76 (Rudolf Steglich)
MReview xi (1950) 59 (G. A.)
RassegnaM xx/3 (1950) 268-269 (m. m.)
MKirche l/1 (1980) 313 (Gerhard Schuhmacher)
NZsfM cxli/6 (1980) 582-583 (Rudolf Stephan)
OrganistEredienst xlvi/11 (1980) (Jenne Meyster)
MGottesd xxxv (1981) 107-108 (Andreas Marti)
62. Harris, Roy; Herter Norton, M. D. (eds.):   The Art of Fugue / J. S. Bach. (1936), xxiv, 113p + 4 St
Review:
MLetters xviii (1937) 216 (E. R.)
63. Kinsky, Georg:   Die Originalausgaben der Werke Johann Sebastian Bachs. Ein Beitrag zur Musikbibliographie. (1937), 134p
Review:
MLetters xviii/2 (Apr 1937) 205-206 (S. G.)
SchweizerischeMz lxxvii/16-17 (1 Sep 1937) 492-493 (Dv.)
64. Hess, Myra (arr.):   ADAGIO from Organ Toccata in C major, No.1 by J. S. BACH. (1937), 3p
Review:
MLetters xix (1938) 100-101 (S. G.)
65. Zingerle, Hans:   Zur Entwicklung der Melodik von Bach bis Mozart: die musikalische Interpunktion. (1937), 51p
Review:
MLetters xix/1 (Jan 1938) 96-97 (E. L.)
66. Ashby, A. B. (ed.):   The Pianist's Book of Bach Chorals. 100 Chorals harmonized by J. S. Bach, chosen from Charles Sanford Terry's Complete Collection (1937), 57p
Review:
MLetters xix/2 (Apr 1938) 235 (S. G.)
67. Schwebsch, Erich; Schwebsch, Erich (arr.):   Die Kunst der Fuge / Joh. Seb. Bach. (1937), xi, 121p
Review:
MLetters xix (1938) 100 (E. R.)
68. Jonas, Oswald:   Ein Bach-Präludium: ein Weg zum organischen Hören. Dreiklang 1 (Apr 1937)
Review:
MLetters xviii (1937) 321-322 (E. B.)
69. Klotz, Hans:   Das Buch von der Orgel: Ueber Wesen und Aufbau des Orgelwerkes, Orgelpflege und Orgelspiel. (1938), 127p
Review:
MLetters xix (1938) 355-356 (F. W. G.)
70. Payne, May de Forest:   Melodic Index to the Works of J. S. Bach. (1938), vii, 101p
Review:
MLetters xx/2 (Apr 1939) 198-199 (E. B.)
MOpinion lxxii/853 (Oct 1948) 14 (R.H.W.)
71. Gray, Cecil William Turpie:   The Forty-eight Preludes and Fugues of J. S. Bach. (1938), viii, 148p
Review:
MLetters xx/1 (Jan 1939) 77-78 (E. W.)
72. Lovelock, William:   Use of the Pedal in Bach's '48'. MTimes 80/1157 (Jul 1939), 534-535
Review:
MLetters lxxx/1158 (Aug 1939) 619-620 (J. Swinburne)
73. Watts, Harold E.:   Bach's '48': Use of the Pedal, and Other Problems. MTimes 80/1160 (Oct 1939), 722-724
Review:
MLetters lxxx/1161 (1939) 770 (Cecil Clutton)
74. Dent, Edward J.:   Notes on Fugue for Beginners. (1941), 47p
Review:
MLetters xxii (1941) 184
MLetters xl (1959) 79 (Eric Blom)
75. Thurston, Frederick J. (ed.):   Three Fugues from 'The Well-tempered Clavier'. (1941?)
Review:
MLetters xxiii (1942) 197 (E. L.)
76. Bach, Johann Sebastian:   Prelude and Fugue in B minor [BWV 544] (1942), 8, 2pp
Review:
MLetters xxv/1 (Jan 1944) 53-54
77. Taylor, Stainton de Boufflers:   The Chorale Preludes of J. S. Bach: a Handbook. HinrichsenEd 1006 (1942), x, 126p
Review:
MTimes lxxxiii/1195 (Sep 1942) 272 (H. G.)
MonMRec lxxii/836 (1942) 88 (J.A.W.)
MLetters xxiii/3 (Jul 1942) 258 (E. W.)
MEducatorsJ xxix/2 (Nov-Dec 1942) 58 (Russell V. Morgan)
MTimes cxii/1545 (Nov 1971) 1073, 1075 (Walter Emery) 'Chorale preludes simplified'
78. Wood, Henry Joseph (ed.):   Brandenburg Concerto No.3 in G major / Johann Sebastian Bach. (c 1944), 70p
Review:
MLetters xxvi/2 (1945) 119 (E. L.)
79. Emery, Walter:   Bach Registration. MTimes 85/1211 (Jan 1944), 21-23
Review:
MLetters lxxxv (1944) 122 (George Dixon)
80. David, Hans T.; Mendel, Arthur (eds.):   The Bach Reader. (1945), 474p
Review:
Notes iii/1 (Dec 1945) 40-41 (Erich Hertzmann)
MTimes lxxxvii/1243 (Sep 1946) 268-269 (W. E.); no.1244 (Oct 1946) 313 (S. Godman)
MLetters xxvii/4 (Oct 1946) 265-266 (E.B.)
MTimes lxxxviii/1247 (Jan 1947) 30-31 (Hans T. David and Arthur Mendel); no.1248 (Feb 1947) 70 (W. E.)
MQ xxxii/1 (Jan 1946) 137-140 (Alfred Einstein)
MReview viii (1947) 301-302 (Hubert J. Foss)
MLetters xxxii/2 (Apr 1951) 195-197 (Richard Capell)
Einstein (1957) 45-48 (Alfred Einstein)
MTimes cviii/1491 (May 1967) 424-425 (Walter Emery)
MLetters xlviii/2 (Apr 1967) 155 (Jack A. Westrup)
Composer No.25 (1967) 31
MClubsMag xlvi (1967) 55
ColMSymposium vii (1967) 149
Pan Pipes of Sigma Alpha Jota lx (1967) 44-45
MReview xxix (1968) 52-53 (Hans F. Redlich)
HudebniVeda vi/4 (1969) 467-468 (Tomislav Volek)
81. Westrup, J. A. (ed.):   Choral Preludes from the 'Orgelbüchlein', arranged for Two Pianos. HinrichsenEd 335 (c 1946)
Review:
MLetters xxix (1948) 422 (I. K.)
82. Sterndale Bennett, R. (ed.):   Two Chorale Preludes arranged for Piano. 1. Der Tag, der ist so freudenreich; 2. Nun freut euch, lieben Christen. (1946?)
Review:
MLetters xxviii (1947) 282 (I. K.)
83. Grew, Eva Mary; Grew, Sydney:   Bach. (1947), 239p
Review:
MTimes lxxxix/1260 (Feb 1948) 45 (W. R. A.)
MLetters xxix/2 (Apr 1948) 175-177 (W.D.)
MReview ix (1948) 134 (E. J. W.)
MonMRec lxxviii/898 (1948) 160-161 (G.A.)
MSurvey i/2 (Winter 1948) 48 (E. H. W. M.)
84. Apel, Willi:   Masters of the Keyboard: a Brief Survey of Pianoforte Music. (1947), 323p
Review:
JAMSoc i/2 (1948) 53 (John Kirkpatrick)
MLetters xxx (1949) 73-74 (I. K.)
85. Blume, Friedrich:   Johann Sebastian Bach im Wandel der Geschichte. MwArb 1 (1947), 39p
Review:
MLetters xxix/4 (Oct 1948) 417 (J. A. Westrup)
MReview ix (1948) 57
MKirche xviii/1-2 (1948) 53-56 (Walter Blankenburg)
86. Oldroyd, George:   The Technique and Spirit of Fugue: An historical study. (1948), 220p
Review:
MLetters xxix (1948) 287-289 (A. H.)
MReview ix (1948) 203-206 (E. J. D.)
RassegnaM xx/3 (1950) 278-279 (Angiola Maria Bonisconti)
87. Kahl, Willi:   Selbstbiographien deutscher Musiker des XVIII. Jahrhunderts. (1948), 350p
Review:
JAMSoc iii/2 (1950) 148 (Paul Nettl)
MLetters xxxi/3 (Jul 1950) 269-270 (R.C.)
88. Bukofzer, Manfred:   Music in the Baroque Era. From Monteverdi to Bach. (1948), 489p
Review:
Notes v/2 (Mar 1948) 224-225 (Otto Kinkeldey)
MLetters xxx/1 (Jan 1949) 64-66 (A. C. L.)
MReview x (1949) 57-59 (E. J. D.)
RassegnaM xx/3 (1950) 274-276 (m. m.)
89. Taylor, Stainton de Boufflers (ed.):   Six Organ Preludes: on the Chorales of the lesser Catechism from the Clavier-Ubung (part III). HinrichsenEd 376 (1948), 15p
Review:
MLetters xxix (1948) 422 (I. K.)
90. Boult, Adrian Cedric; Emery, Walter:   The St Matthew Passion: Its preparation and performance. (1949), vii, 75p
Review:
MTimes xc (1949) 437
MLetters xxxi/3 (1950) 265-266 (Ivor Keys)
91. Bach, Carl Philipp Emanuel:   Essay on the True Art of Playing Keyboard Instruments. (1949), xiii, 449p
Review:
JAMSoc ii/2 (1949) 123-125 (Putnam Aldrich)
MQ xxxv/2 (Apr 1949) 323-329 (Arthur Mendel)
MTimes xc (1949) 438-439 (W. E.)
MReview xi (1950) 57-58 (G. A.)
MLetters xxxi/1 (Jan 1950) 71-73 (R. D.)
MSurvey ii/3 (Winter 1950) 193 (E. H. W. M.)
MReview xxxix (1978) 69 (A. F. L. T.)
92. Engel, Hans:   Johann Sebastian Bach. (1950), 252p
Review:
MLetters xxxii/1 (Jan 1951) 64-65 (W. S. Mann)
MReview xii (1951) 229-229 (Gerald Abraham)
Mf iv/2-3 (1951) 230-232 (Hellmuth Christian Wolff)
MSurvey iv/1 (Oct 1951) 352-353 (H. K.)
93. Mann, William S.:   Introduction to the Music of Johann Sebastian Bach. 1685-1750 (1950), 80p
Review:
MLetters xxxii/2 (Apr 1951) 161-163 (A. E. F. Dickinson)
MTimes xcii/1298 (Apr 1951) 168 (W.McN)
MonMRec lxxxi/927 (1951) 132 (A.H.)
MSurvey iv/1 (Oct 1951) 357-358 (J. J. N.)
94. Blume, Friedrich:   Two Centuries of Bach. An account of changing taste. (1950), 85p
Review:
RassegnaM xx/3 (1950) 276 (a. pir.)
MSurvey iii/1 (Summer 1950) 64 (A. E. F. D.)
MOpinion lxxiii/874 (Jul 1950) 581, 583 (H.H.)
MLetters xxxi/4 (Oct 1950) 348-350 (W. S. Mann)
Notes viii/1 (Dec 1950) 159-160 (Karl Geiringer)
95. Besseler, Heinrich; Kraft, Günter (eds.):   Johann Sebastian Bach in Thüringen. Festgabe zum Gedenkjahr 1950. [ce]JSBiThüringen (1950), 255p
Review:
MLetters xxxii/4 (1951) 381-382 (W. S. Mann)
Notes ix/1 (Dec 1951) 133-134 (Karl Geiringer)
MReview xiii (1952) 65 (G. A.)
JAMSoc v/3 (Autumn 1952) 254-255 (Arthur Mendel)
96. Finlay, Ian F.:   Johann Sebastian Bachs weltliche Kantaten: eine musikwissenschaftlich-literarische Betrachtung. diss. (1950), 98p
Review:
MLetters xxxi/3 (Oct 1950) 348-350 (W. S. Mann)
97. Mendel, Arthur:   More for the Bach reader. MQ 36/4 (Oct 1950), 485-510
Review:
MLetters xxxii/2 (1951) 195f (R.Capell)
98. Salazar, Adolfo:   Juan Sebastián Bach. Un ensayo. (1951), 345p
Review:
RevueMcol xxxiii/99-100 (Dec 1951) 135 (André Verchaly)
MLetters xxxvi/2 (Apr 1955) 185-187 (A. L. L.)
99. Davison, Archibald Thompson:   Bach and Handel. The consummation of the baroque in music. (1951), 77p
Review:
MLetters xxxiii/2 (Apr 1952) 168-170 (W. S. M.)
Notes ix/3 (Jun 1952) 417 (Ernst C. Krohn)
100. Isaacs, Leonard (arr.):   The Art of Fugue = (Die Kunst der Fuge) / J. S. Bach. (1952), 124p
Review:
MLetters xxxv/1 (Jan 1954) 72-73
101. Hindemith, Paul:   J. S. Bach. Heritage and obligation. (1952), iv, 44p
Review:
MLetters xxxiv/4 (Oct 1953) 342-343 (W. E.)
MTimes xciv/1327 (Sep 1953) 409 (Peter Evans)
Notes x/3 (Jun 1953) 456/457 (Hans T. David)
MonMRecord lxxxiv/955 (1954) 76-77 (P.T.B)
102. Emery, Walter:   Bach's Ornaments. (1953), 164p
Review:
MTimes xciv/1327 (Sep 1953) 409 (Thurston Dart)
MonMRec lxxxiii/950 (1953) 217 (G. A.)
Notes xi/1 (Dec 1953) 109-110 (Putnam Aldrich)
MLetters xxxv/1 (Jan 1954) 48-50 (W. S. M.)
MReview xv (1954) 238 (Eric Taylor)
Mf vii/1 (1954) 93 (Hans Klotz)
MTimes cxi/1533 (Nov 1970) 1107 (Kenneth Holland), followed by the author in cxi/1534 (1970) 1219 and Robert Donington in cxii/1536 (Feb 1971) 130
103. Rothschild, Fritz:   The lost Tradition in Music. Rhythm and Tempo in J. S. Bach's Time. (1953), 325p
Review:
MTimes xciv (1953) 309-311 (Denis Stevens)
MLetters xxxiv/3 (Jul 1953) 250-264 (Walter Emery)
MReview xiv (1953) 237-238
MQ xxxix/4 (Oct 1953) 617-630 (Arthur Mendel)
Notes xi/2 (Mar 1954) 303-306 (Otto Kinkeldey)
Mf (1954) 352-353 (Hans F. Redlich)
104. Keller, Hermann:   Phrasierung und Artikulation: ein Beitrag zu einer Sprachlehre der Musik. (1953), 92p
Review:
MLetters xxxvii (1956) 196-197 (M. C.)
105. Geiringer, Karl:   The Bach Family. Seven generations of creative genius. (1954), 514p
Review:
MTimes xcvi/1350 (Aug 1955) 420-421 (A. E. F. Dickinson)
Notes xii/2 (Mar 1955) 216-217 (Nathan Broder)
MLetters xxxvi/1 (Jan 1955) 74-76 (H. F. R.)
MReview xvi (1955) 155-157
MQ xlii/1 (Jan 1956) 99-103 (Walter E. Buszin)
JAMSoc xi/1 (Spring 1958) 56-58 (Herberg Livingston)
106. Bach, Johann Sebastian:   Kurtzer, iedoch höchstnöthiger Entwurff einer wohlbestallten Kirchen Music; nebst einigem unvorgreiflichen Bedenkken von dem Verfall derselben. Leipzig, den 23. August 1730. FaksRBachWS 1 (1954), 7 Bl
Review:
MKirche xxv/6 (1955) 302 (Walter Blankenburg)
MLetters xxxvii/2 (Apr 1956) 191 (E. B.)
Mf ix/3 (1956) 379-380 (Helmut Wirth)
107. Winternitz, Emanuel:   Musical Autographs from Monteverdi to Hindemith. (1955), 154p, 196 pl
Review:
MLetters xxxvii (1956) 283-285 (A. H. K.)
JAMSoc xi/2-3 (1958) 243-244 (Denis Stevens)
108. Geiringer, Karl (ed.):   The Music of the Bach Family: An Anthology. (1955), 248p
Review:
Notes xiii/2 (Mar 1956) 334/335 (William H. Scheide)
MLetters xxxvii/4 (Oct 1956) 406-407 (P. J. P.)
MQ xlii/1 (1956) 99 (Walter Buszin)
Mf ix/2 (1956) 234 (Wirth)
JAMSoc xi (Spring 1958) 58-59 (Herbert Livingston)
109. Hudson, Frederick (ed.):   Lord God. Great Master of Creation (Herr Gott, Beherrscher aller Dinge): Wedding Cantata. [vocal score] (1955), x, 61p
Review:
Musica x/10 (1956) 723-724 (Alfred Dürr)
MLetters xxxix (1958) 94 (Eric Blom)
Mf xii/2 (1959) 247-248 (Werner Neumann)
110. Ernst, Friedrich:   Der Flügel Johann Sebastian Bachs. Ein Beitrag zur Geschichte des Instrumentenbaues im 18. Jahrhunderts. EdPeters 4851 (1955), 86p
Review:
MLetters xlii (1961) 163-164 (Thurston Dart)
111. Dickinson, Alan Edgar Frederic:   Bach's Fugal Works. (1956), 280p
Review:
MTimes xcvii/1365 (Nov 1956) 580-582 (Stanley Godman)
Notes xiv/2 (Mar 1957) 261-262 (Robert Stevenson)
MLetters xxxviii/2 (Aug 1957) 194-195 (E. B.)
MReview xviii (1957) 63-65
JMTheory i/1 (Mar 1957) 105-106 (Quincy Porter)
112. Besseler, Heinrich:   Fünf echte Bildnisse Johann Sebastian Bachs. (1956), 99p, 12pl
Review:
DUnivZ xii/1 (1957) 20-21 (Alfred Dürr)
Mf x/2 (1957) 314-320 (Georg von Dadelsen)
Notes xiv/2 (Mar 1957) 260-261 (Karl Geiringer)
SvenskTidskrMf xxxix (1957) 171-173 (Carl-Allan Moberg)
MLetters xxxvii (1956) 396-397 (M. C.)
RevueMcol xxxviii/114 (Dec 1956) 178-181 (Fedorov Vladimir)
RassegnaM xxviii (1958) 167-168 (Alfredo Bonaccorsi)
113. Tagliavini, Luigi Ferdinando:   Studi sui testi delle cantate sacre di J. S. Bach. (1956), xv, 291p
Review:
RassegnaM xxvii (1957) 335 (Alfredo Bonaccorsi)
RevueMcol xl/116 (1957) 226-228 (R. F. Bridgman)
SvenskTidskrMf xxxix (1957) 206-207 (Richard Engländer)
MLetters xxxviii/2 (Apr 1957) 204-205 (E. B.)
Mf xiiI/1 (1959) 104-107 (Alfred Dürr)
114. Smallman, Basil:   The Background of Passion Music: J. S. Bach and his Predecessors. (1957), 124p
Review:
MLetters xxxviii/3 (Jul 1957) 282 (B. W. G. R.)
MTimes xcviii/1370 (Apr 1957) 198 (Ronald Tidmarsh)
MTimes cxii (1971) 1174-1175 (Roger Bullivant)
Notes xxix/3 (Mar 1973) 460-461 (Stanley A. Malinowski)
115. Emery, Walter:   Notes on Bach's Organ Works. A companion to the revised Novello Edition. Books IV-V: Six Sonatas for Two Manuals and Pedal. (1957), 215p
Review:
MTimes xcix/1382 (Apr 1958) 196-197 (Paul Steinitz)
MLetters xxxix/1 (Jan 1958) 80 (Bernard Rose)
Notes xv/2 (Mar 1958) 214 (Richard Keith)
116. Dürr, Alfred:   Zur Chronologie der Leipziger Vokalwerke J. S. Bachs. BachJb 44 (1957), 5-162
Review:
MonMRec lxxxix/995 (1959) 192-193 (O.W.N.)
MLetters xl/2 (1959) 192-194 (Walter Emery)
MKirche xxix (1959) 94-95 (Walter Blankenburg)
Mf xv/3 (1962) 292-293 (Ulrich Siegele)
117. David, Johann Nepomuk:   Die zweistimmigen Inventionen von Johann Sebastian Bach. KleineVandenhoeckR 34 (1957), 37p
Review:
SvenskTidskrMf xxxix (1957) 173-174 (Bengt Hambræus)
MLetters xxxviii/3 (Jul 1957) 289-290 (Eric Blom)
Mf x/4 (1957) 587-589 (Rudolf Steglich)
Hausmusik xxxiii (1958) 33-34 (Elisabeth Heckmann)
MonMRecord lxxxviii (Jan-Feb 1958) 30
MReview xix (1958) 244-245 (Hans F. Redlich)
NZsfM(2) cxix (1958) 167-168 (Walther Friedländer)
RassegnaM xxviii (1958) 62-63 (Alfredo Bonaccorsi)
AfMw xix-xx (1962-63) 147-159 (Hellmut Federhofer)
118. Busch, Gudrun:   C. Ph. E. Bach und seine Lieder. KölnBeitrMf 12 (1957), 407p, 110p
Review:
Mf xi/3 (1958) 366-367 (Joseph Müller-Blattau)
MLetters xxxix/2 (Apr 1958) 192 (E.B.)
Musica xii (1958) 181-182 (Lothar Hoffmann-Erbrecht)
119. Godman, Stanley:   Bach's Copies of Ammerbach's 'Orgel oder Instrument Tabulatur' (1571). MLetters 38/1 (Jan 1957), 21-27
Review:
MLetters xxxviii/2 (Apr 1957) 209-210 (Constance Richardson; Stanley Godman)
120. Dadelsen, Georg von:   Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie V · Band 4. Die Klavierbüchlein für Anna Magdalena Bach. Kritischer Bericht. NBA 5/ 4 (1957), 124p
Review:
Notes xv/2 (Mar 1958) 246-247 (Karl Geiringer)
MLetters xxxix/4 (Oct 1958) 414-415 (H.O.)
Mf xv/4 (1962) 407-409 (Friedrich Wilhelm Riedel)
121. Dadelsen, Georg von (ed.):   Die Klavierbüchlein für Anna Magdalena Bach (1722 und 1725) / Johann Sebastian Bach. NBA 5/ 4 (1957), xi (6p facs), 138p
Review:
Notes xv/2 (Mar 1958) 246-247 (Karl Geiringer)
MLetters xxxix/4 (Oct 1958) 414-415 (H.O.)
AmerRecorder xi/4 (1970) 141 (Dale Higbee)
122. Bach, Johann Sebastian:   Singet dem Herrn ein neues Lied. Motette für zwei Chöre. [BWV 225] (1958), 10 Bl
Review:
MLetters xl/3 (Jul 1959) 302 (E.B.)
123. Mann, Alfred:   The Study of Fugue. (1958), 341p
Review:
JAMSoc xii/1 (1959) 78-80 (Claude V. Palisca)
JMTheory iii/2 (Nov 1959) 316-319 (Donald Loach)
MTimes ci (1960) 300 (Arthur Hutchings)
MLetters xli (1960) 283-285 (H. K. Andrews)
MReview xxii (1961) 55-61 (Roger Bullivant)
124. Hudson, Frederick (ed.):   Trauungskantaten / Johann Sebastian Bach. NBA 1/33 (1958), ix (4p facs), 243p
Review:
MLetters xl/4 (Oct 1959) 386-387 (J. A. Westrup)
MReview xxi (1960) 164-165
125. Haußwald, Günter; Gerber, Rudolf (eds.):   Werke für Violine / Johann Sebastian Bach. NBA 6/1 (1958), v, 208p
Review:
MLetters xl/4 (Oct 1959) 386-387 (J. A. Westrup)
MReview xxi (1960) 164
126. Kast, Paul:   Die Bach-Handschriften der Berliner Staatsbibliothek. TübingerBachSt 2-3 (1958), x, 150p
Review:
Musica xiii (1959) 813-814 (Alfred Dürr)
MLetters xl/4 (Oct 1959) 382-384 (Walter Emery)
Notes xvii/4 (1960) 570-571 (Donald Mintz)
MKirche xxxi/2 (1961) 77-78 (Walter Blankenburg)
Mf xv/3 (1962) 293-294 (Karl-Heinz Köhler)
127. Dadelsen, Georg von:   Beiträge zur Chronologie der Werke Johann Sebastian Bachs. TübingerBachSt 4-5 (1958), 176p
Review:
MLetters xl/4 (Oct 1959) 382-384 (Walter Emery)
Musica xiii (1959) 813-814 (Alfred Dürr)
MKirche xxix (1959) 94-95 (Walter Blankenburg)
Notes xvii/4 (1960) 570-572 (Donald Mintz)
Mf xv/3 (1962) 292-293 (Ulrich Siegele)
128. Russell, Raymond:   The Harpsichord and Clavichord. (1959), 208p, 103pl
Review:
MTimes c (1959) 597-598 (Basil Lam)
MLetters xli (1960) 57-58 (Thurston Dart)
129. Emery, Walter (ed.):   Prelude, Trio and Fugue in B flat for Organ / J. S. Bach (1959), ix, 17p
Review:
Mf xiii/2 (1960) 250 (Dietrich Kilian)
MLetters xli (1960) 200 (J. A. Westrup)
130. Bach, Johann Sebastian:   Clavier-Büchlein vor Wilhelm Friedemann Bach. (1959), xix, 154p
Review:
MReview xx (1959) 328 (Hans F. Redlich)
Musica xiii/6 (1959) 415 (Günter Haußwald)
Notes xvi/3 (Jun 1959) 459-460 (Richard S. Hill)
RevueMcol xliii/119 (1959) 117 (André Verchaly)
MLetters xli/1 (Jan 1960) 97-98 (J. A. Westrup)
MonMRecord xc/1000 (1960) 149-150 (G.A.)
JAMSoc xiv/3 (Autumn 1961) 409-413 (Ernest T. Ferand)
AmerRecorder xxi/2 (Aug 1980) 89 (Dale Higbee)
131. Newman, William S.:   The Sonata in the Baroque Era. (1959), xvi, 447p
Review:
JAMSoc xii/1 (1959) 80-83 (Jan LaRue)
MTimes ci (1960) 301 (Wilfrid Dunwell)
MLetters xli (1960) 53-56 (Peter Evans)
132. Whittaker, William Gillies:   The Cantatas of Johann Sebastian Bach. Sacred and Secular. (1959), xvi, 717p; 754p
Review:
JResearchMEduc viii (1960) 137-138
JuilliardReview vii/2 (1960) 18
MensMelodie xv (May 1960) 139-142 (W.C. de Jong)
MLetters xli/2 (Apr 1960) 177-179 (Walter Emery)
MReview xxi (1960) 157-159 (E.J.G.B.)
MonMRecord xc/999 (1960) 110-111 (G.A.)
Musica xiv/6 (1960) 396 (Alfred Dürr)
MTimes ci/1403 (Jan 1960) 25 (Paul Steinitz)
Mf xiii/3 (1960) 354-355 (Alfred Dürr)
Notes xvii/2 (Mar 1960) 228-229 (William H. Scheide)
ChoralJ xxiii/1 (Sep 1982) 39-41 (Joan Conlon)
133. Neupert, Hanns:   Harpsichord Manual. A Historial and Technical Discussion. (1960), 105p, xvi pl
Review:
MLetters xlii (1961) 163-164 (Thurston Dart)
134. Darenberg, Karl Heinz:   Studien zur englischen Musikästhetik des 18. Jahrhunderts. (1960), 130p
Review:
MLetters xliii/2 (Apr 1962) 141-143 (M.M.)
135. Tureck, Rosalyn:   An introduction to the performance of Bach. A progressive anthology of keyboard music edited with introductory essays by Rosalyn Tureck (1960), 24p
Review:
MLetters xli/4 (Oct 1960) 404-405 (Ivor Keys), response by author in MLetters xlii/2 (Apr 1961) 196-198
GalpinSocJ xiv (Mar 1961) 81-83 (Joan Rimmer)
Notes xviii/3 (Jun 1961) 485-486 (Oswald Jonas)
DanskMTidsskr xxxvi (1961) 282-283 (Bengt Johnsson)
136. Bodky, Erwin:   The Interpretation of Bach's Keyboard Works. (1960), xi, 421p
Review:
MOpinion lxxxiv (Dec 1960) 141-142
SaturdayReview xliii (26 Nov 1960) 48f
JResearchMEduc ix (1961) 167-169
JuilliardReview viii/2 (1961) 13
MLetters xlii/2 (Apr 1961) 158-163 (Walter Emery)
MEducatorsJ xlvii/3 (Jan 1961) 98
MReview xxii (1961) 316-324 (Roger F. T. Bullivant)
MTimes cii/1415 (Jan 1961) 31 (Walter Emery)
Notes xix/2 (Mar 1962) 255-256 (Klaus Speer)
BritishJAesth ii (1962) 82-84 (Anthony Milner)
AmerRecGuide xxix (1963) 477-480
137. Kenney, Sylvia W.:   Catalog of the Emilie and Karl Riemenschneider Memorial Bach Library. (1960), xv, 295p
Review:
MLetters xlii/4 (Oct 1961) 376-377 (Walter Emery)
MEducatorsJ xlvii/5 (1961) 100
Notes xviii/2 (Mar 1961) 236-237 (Jan LaRue)
MTimes ciii/1429 (Mar 1962) 171 (A.P.)
AmerRecorder xi/2 (1970) 68 (Dale Higbee)
138. Owen, Angela Maria:   The Authorship of Bach's Cantata No. 15. MLetters 41/1 (Jan 1960), 28-32
Review:
MLetters xli/2 (Apr 1960) 202
139. Dart, Thurston:   Bach's 'Fiauti d'Echo'. MLetters 41/4 (Oct 1960), 331-341
Review:
MLetters xlii/1 (Jan 1961) 111 (Peter F. Williams)
MLetters xliii/2 (Apr 1962) 192-193 (Dale Higbee)
140. Gericke, Hannelore:   Der Wiener Musikalienhandel von 1700 bis 1778. WienMwBeitr 5 (1960), 150p
Review:
Notes xviii/2 (Mar 1961) 229-230 (Donald W. Krummel)
MLetters xlii/3 (Jul 1961) 276-277 (C. B. O.)
141. Dahl, Ingolf; Szigeti, Joseph (eds.):   Violin Concerto in D minor / J. S. Bach. Reconstructed after the original sources (1961)
Review:
MLetters xlii (1961) 394 (Arthur Hutchings)
MTimes cii/1425 (Nov 1961) 719 (Thurston Dart)
142. Day, James:   The Literary Background to Bach's Cantatas. (1961), 115p
Review:
Canon xv (Mar 1962) 18-19
MLetters xliii/2 (Apr 1962) 136 (Walter Emery)
MJournal xx (Sep 1962) 84
MReview xxiii (1962) 145-148 (Roger F. T. Bullivant)
MTeacherPianoStud xli (Mar 1962) 143
MOpinion lxxxv (1962) 345 (B.R.)
MTimes ciii/1428 (Feb 1962) 104 (Walter Emery)
AmerOrganist l (1967) 7
143. Hutchings, Arthur:   The Baroque Concerto. (1961), 363p
Review:
MLetters xlii (1961) 364-366 (Hans Redlich)
JAMSoc xv/2 (1962) 228-231 (William S. Newman)
MReview xxiii (1962) 61-72 (Gerald Abraham)
MReview xxxv (1974) 326-327 (Peter J. Pirie)
144. Ehmann, Wilhelm:   'Concertisten' und 'Ripienisten' in der h-moll-Messe Joh. Seb. Bachs. (1961), 63p
Review:
MLetters xliii/2 (1962) 149-153 (Walter Emery), followed by Roger Bullivant in MLetters xliii/3 (1962) 393-394
MReview xxiii (1962) 149-153 (Roger F. T. Bullivant)
Musica xvi (1962) 277 (Ludwig Finscher)
MTimes ciii (1962) 403-405 (Oliver Neighbour)
SvenskTidskrMf xlv (1963) 187-188 (Johan Sundberg)
145. Kolneder, Walter:   Die Solokonzertform bei Vivaldi. CollEtudesMcol 42 (1961), 86p
Review:
MLetters xliv/2 (Apr 1963) 163-164 (A. H.)
146. LaRue, Jan (ed.):   International Musicological Society. Report of the Eighth Congress, New York 1961. Volume I -- Papers. [cr]NewYork1961 1 (1961), xi, 472p
Review:
Notes xviii/4 (Sep 1961) 569-570 (Jan LaRue)
MQ xlvii/4 (Oct 1961) 540-544 (Edward A. Lippman)
Notes xx/4 (Autumn 1963) 631-632 (Karl Geiringer)
MLetters xliv/3 (Jul 1963) 278-279 (F. W. S.)
RevueMcol 49/127 (Dec 1963) 222-223 (Simone Wallon)
JIFolkMCouncil xvi (1964) 133-134 (W. R.)
MReview xxvi (1965) 64
147. Paccagnella, Ermenegildo:   La formazione del linguaggio musicale. 2: J. S. Bach. (1962), 179p
Review:
QuadRassegnaM iii (1965) 221-223
MLetters xlvi/2 (Apr 1965) 173-174 (P. E. P.)
Notes xxii/4 (Jun 1966) 1233-1234 (Imogene Horsley)
148. Petzoldt, Richard:   The Leipzig Thomaner Chor. (1962), 93p
Review:
MTimes civ/1443 (May 1963) 339-340 (Paul Steinitz)
MTimes cviii/1494 (Aug 1967) 711 (Robert Anderson)
MLetters xlix/1 (Jan 1968) 74 (J. A. W.)
149. Riemann, Hugo:   History of Music Theory. Polyphonic Theory to the Sixteenth Century. (1962), xx, 431p
Review:
MLetters lxix/1 (M. Everist)
150. Neumann, Friedrich-Heinrich:   Die Ästhetik des Rezitativs: Zur Theorie des Rezitativs im 17. und 18. Jahrhundert. CollEtudesMcol 41 (1962), 112p
Review:
MLetters xliii/4 (Oct 1962) 359-360 (J. A. W.)
151. LaRue, Jan (ed.):   International Musicological Society. Report of the Eighth Congress, New York 1961. Volume II -- Reports. [cr]NewYork1961 2 (1962), xv, 184p
Review:
Notes xviii/4 (Sep 1961) 569-570 (Jan LaRue)
MQ xlvii/4 (Oct 1961) 540-544 (Edward A. Lippman)
Notes xx/4 (Autumn 1963) 631-632 (Karl Geiringer)
MLetters xliv/3 (Jul 1963) 278-279 (F. W. S.)
RevueMcol 49/127 (Dec 1963) 222-223 (Simone Wallon)
JIFolkMCouncil xvi (1964) 133-134 (W. R.)
MReview xxvi (1965) 64
152. Brennecke, Wilfried; Hasse, Hans (eds.):   Hans Albrecht in Memoriam. [gs]Albrecht (1962), 290p
Review:
Notes xx/4 (Autumn 1963) 632-634 (Elaine Brody, Martin Bernstein)
MReview xxvi (1965) 69 (Hans F. Redlich)
MLetters xlvi/2 (Apr 1965) 163-165 (G. A.)
153. Carrell, Norman:   Bach's Brandenburg Concertos. (1963), 130p
Review:
MLetters xlv/3 (Jul 1964) 264-265 (Jack Allan Westrup)
MMusicians xii (1964) 45
MEvents xix (1964) 19-22
MEduc xxviii (1964) 28
MTimes cvi/1465 (Mar 1965) 193-194 (Thurston Dart)
MReview xxvi (1965) 260-262
154. Müller-Blattau, Joseph M.:   Geschichte der Fuge. (1963), 184p
Review:
RevueMcol l/128 (Jul 1964) 122 (Pierre Pidoux)
MLetters xlvi (1965) 56-59 (Roger Bullivant)
Mf xx/2 (Apr-Jun 1967) 209-211 (Alfred Dürr)
MReview xxviii (1967) 149-150 (Hans F. Redlich)
155. Donington, Robert:   The Interpretation of Early Music. (1963), 605p
Review:
MLetters xliv (1963) 381-385 (J. A. Westrup)
MTimes civ (1963) 633 (Anthony Milner)
MTimes cvii (1966) 40 (Anthony Milner)
MTimes cxv (1974) 847-848 (Stanley Sadie)
MLetters lvi (1975) 202-204 (J. A. Westrup)
156. Neumann, Werner; Schulze, Hans-Joachim (eds.):   Schriftstücke von der Hand Johann Sebastian Bachs. BachDok 1 (1963), 288p
Review:
MTimes cv/1454 (Apr 1964) 271 (Walter Emery)
MLetters xlv/3 (Jul 1964) 270-272 (Walter Emery)
Musica xviii/3 (1964) 178 (Ludwig Finscher)
MGesellschaft xvi/2 (1966) 122-123 (Fritz Hennenberg)
BeitrMw viii (1966) 73-76 (Hans Gunter Hoke)
Mf xviii/1 (Jan-Mar 1965) 99-100; 19 (1966) 480 (Reinhold Jauernig)
NZsfM(2) cxxxv (1964) 223 (Gustav Adolf Trumpff)
WürttembergBlKm (Jul/Sep 1964) 105-106 (P. Horn)
MErziehung xx (1967) 141
AmerRecorder xi/4 (1970) 148-149 (Dale Higbee)
MGottesd xxiv (1970) 30-31 (Edwin Nievergelt)
Kmusiker xxii/3 (1971) 81-94 (Kurt Ihlenfeld)
157. Blume, Friedrich (ed.):   Syntagma Musicologicum I. Gesammelte Reden und Schriften. [ce]SyntagmaMusicologicum 1 (1963), viii, 904p
Review:
MLetters xlv/1 (Jan 1964) 60-61 (J. A. W.)
Mf xix/1 (Jan-Mar 1966) 64 (Anna Amalie Abert)
158. Reichert, Georg; Just, Martin (eds.):   Gesellschaft für Musikforschung. Bericht über den Internationalen Musikwissenschaftlichen Kongress Kassel 1962. [cr]Kassel1962 (1963), xv, 392p
Review:
MLetters xlv (1964) 388-390 (Edward Olleson)
159. Lohmann, Heinz (arr.):   Die Kunst der Fuge (1749/50) ; BWV 1080 / Johann Sebastian Bach. EdBreitkopf 6410 (1963), 142p
Review:
MLetters xlv (1964) 192-193 (J. D.)
160. Besch, Hans:   Eine Auktionsquittung J. S. Bachs. EdMerseburger 1432 (1963), 74-79
Review:
MLetters xlv (1964) 167-170 (Walter Emery)
161. Wolff, Christoph:   Die Rastrierungen in den Originalhandschriften Joh. Seb. Bachs und ihre Bedeutung für die diplomatische Quellenkritik. EdMerseburger 1432 (1963), 80-92
Review:
MLetters xlv (1964) 167-170 (Walter Emery)
162. Festschrift für Friedrich Smend zum 70. Geburtstag dargebracht von Freunden und Schülern. EdMerseburger 1432 (1963), 100p
Review:
MLetters xlv/2 (1964) 167-170 (Walter Emery)
Notes xxii/2 (Winter 1965-Winter 1966) 920-921 (John Vinton)
163. Abert, Anna Amalie; Pfannkuch, Wilhelm (eds.):   Festschrift Friedrich Blume zum 70. Geburtstag. [fs]Blume70 (1963), 426p
Review:
Notes xx/4 (Autumn 1963) 632-634 (Elaine Brody, Martin Bernstein)
MLetters xlv (1964) 62-63 (Edward Olleson)
MReview xxvii (1966) 68-70 (Franz F. Lanzer)
164. Gerstenberg, Walter; La Rue, Jan; Rehm, Wolfgang (eds.):   Festschrift Otto Erich Deutsch zum 80. Geburtstag am 5. September 1963. [fs]Deutsch80 (1963), 392p
Review:
MLetters xlv (1964) 62 (J. A. Westrup)
MReview xxvii (1966) 70-71 (Franz F. Lanzer)
165. Apfel, Ernst:   Beiträge zu einer Geschichte der Satztechnik von der frühen Motette bis Bach. (1964), 112p
Review:
Mf xix/2 (Apr-Jun 1966) 217-219 (Wolfgang Marggraf)
Notes xxii/3 (Mar 1966) 1031-1032 (Ruth Steiner)
MLetters xlviii/1 (Jan 1967) 80-82 (JDB)
166. Barford, Philip T.:   The keyboard music of C.P.E. Bach: Considered in relation to his musical aesthetic and the rise of the sonata principle. (1965), xv, 186p
Review:
MLetters xlvii/1 (Jan 1966) 66-67 (J.C.B.)
MTimes cvii/1475 (Jan 1966) 35-37 (Stanley Sadie)
Notes xxiii/4 (Jun 1967) 726-727 (David Fuller)
Tempo no.77 (Summer, 1966) 26-27 (Robert Donington)
Mf xxii/1 (1969) 120-122 (Lothar Hoffman-Erbrecht)
167. Bach, Johann Sebastian:   Messe in h-Moll, BWV 232. DocumentaMcol 2/12 (1965), 15p (text), 188p (facs)
Review:
MLetters xlvii/2 (Apr 1966) 179 (J. A. Westrup)
NZsfM(2) cxxviii (1967) 428 (I. H.)
Notes xxiii/4 (1967) 828-830 (Robert L. Marshall)
Musica xxi/6 (1967) 303 (Günther Haußwald)
Mf xxii/3 (1969) 411 (Georg von Dadelsen)
OrganYb xvi (1985) 165 (Peter Williams)
Notes xliv/4 (1988) 787-798 (Joshua Rifkin)
168. Kirkendale, Warren:   Fuge und Fugato in der Kammermusik des Rokoko und der Klassik. (1966), 379p
Review:
NZsfM(2) cxxviii (1967) 386f (Carl Dahlhaus)
Notes xxiv (1967) 43f (Leonard Ratner)
Musikhandel cviii (1967) 36 (Paul Mies)
MLetters xlviii (1967) 271f (Roger Bullivant)
MTimes cix (1968) 542f (Stanley Sadie)
SvenskTidskrMf l (1968) 149-152 (Hans Eppstein)
OMzs xxiii (1968) 708f (Theophil Antonicek)
HaydnYb (1970) 321f (H. C. Robbins Landon)
RevueMcol lvi (1970) 246 (Pierre Pidoux)
Mf xxiii/3 (Jul-Sep 1970) 351-353 (Ludwig Finscher)
HudebniVeda viii (1971) 74 (Tomislav Volek)
MErziehung xxiv (1971-72) 143 (Walter Pass)
OpusMusicum (1973) 187f (Jiri Sehnal)
169. Geiringer, Karl; Geiringer, Irene:   Johann Sebastian Bach. The culmination of an era. (1966), 382p
Review:
Instrumentalist xxi (1966) 42
Clavier v (1966) 6
MLetters xlviii/4 (Oct 1967) 380-381 (Jack A. Westrup)
MEvents xxii (1967) 27-28
MTimes cviii/1498 (Dec 1967) 1108-1109 (Walter Emery)
MEduc xxxi (1967) 639
Pan pipes of Signa Alpha Jota lx (1967) 44-45
Church Music, Nr.2 (1967) 51
AmerChoralReview ix (1967) 46-48
AmerRecGuide xxxiv (1967) 157
MClubsMag xlvi (1967) 55
NATSBul xxiii (1967) 37
Notes xxiv/4 (Jun 1968) 709-710 (Henry Woodward)
JAMSos xxi/3 (Autumn 1968) 396-400 (Arthur Mendel)
StudMcolAcadSciHungaricae x facs.3/4 (1968) 377-379 (Csomasz K. Tóth)
MUnterricht A. lix (1968) 215-216 (Hans Hollander)
MEducatorsJ liv/5 (1968) 100-102 (Donald M. McCorkle)
MGesellschaft xix/12 (1969) 855-856 (Gerd Schönfelder)
MQ lv/1 (Jan 1969) 121-125 (John F. Ohl)
170. Buelow, George J. (ed.):   Thorough-Bass Accompaniment According to Johann David Heinichen. (1966), xiv, 316p
Review:
RevueMcol liii/1 (1967) 74-76 (Denise Launay)
JMTheory xi/2 (1967) 281-85 (Albert Cohen)
Notes xxiii/4 (1967) 730-732 (Robert Donington)
JAMSoc xxi/3 (1968) 393-396 (Bathia Churgin)
Mf xxi/3 (1968) 381-382 (Walter Reckziegel)
MLetters l/2 (Apr 1969) 314-315 (B.W.G. Rose)
MEducatorsJ lvi/8 (Apr 1970) 85-86 (Donald M. McCorkle)
171. Kirby, Frank Eugene:   A Short History of Keyboard Music. (1966), xviii, 534p
Review:
MLetters xlviii (1967) 162 (Howard Ferguson)
MGesellschaft xvii (1967) 636-638 (Gerd Schönfelder)
172. Agricola, Johann Friedrich (trans.):   Anleitung zur Singkunst (1757, Faksimile-Nachdruck). (1966), xxxviii, xvi, 239, 44p
Review:
MTimes cvii (1966) 606-607 (Walter Emery)
RevueMcol lii/2 (1966) 247 (Carl de Nys)
MLetters xlviii/1 (1967) 86-87 (J. A. Westrup)
173. Fux, Johann Joseph:   Gradus ad Parnassum [1725]. MonumentsMMLitFacs 2/24 (1966), 280p
Review:
MLetters xlviii/1 (Jan., 1967) 85-86 (J.A.W.)
174. Blume, Friedrich:   Renaissance and Baroque music. (1967), 180p
Review:
MTimes cx (1969) 836-837 (Ian Spink)
MLetters li (1970) 191-192 (Frederick Sternfeld)
Consort xxix (1973) 47 (E. J. Godwin)
175. Reti, Rudolf:   Thematic patterns in Sonatas of Beethoven. (1967), 204p
Review:
MLetters xlviii (1967) 378-380 (John V. Cockshoot)
176. Keller, Hermann:   The organ works of Bach. A contribution to their history, form, interpretation and performance. (1967), 312p
Review:
MTimes cix/1509 (Nov 1968) 1027-1028 (Roger Bullivant)
MLetters xlix/3 (Jul 1968) 237-238 (James Dalton)
Notes xxiv/4 (Jun 1968) 711-712 (Richard T. Gore)
177. Carrell, Norman:   Bach the Borrower. (1967), 396p
Review:
MTimes cviii/1498 (Dec 1967) 1109-1110 (Roger Bullivant)
MEvents xxii (1967) 27-28
MTeacherPianoStudent xlvi (1967) 16
Notes xxiv/3 (Mar 1968) 495-496 (Richard T. Gore)
StudMcolAcadSciHungaricae x, fasc.3/4 (1968) 374-377 (Csomasz K. Tóth)
MLetters xlix/1 (Jan 1968) 58-60 (Eric Taylor)
MUnterricht A. lix (1968) 215-216 (Hans Hollander)
MGesellschaft xix/12 (1969) 854-855 (Gerd Schönfelder)
BeitrMw xii/2 (1970) 146-148 (Peter Gülke)
178. Terry, Charles Sanford:   John Christian Bach. (1967), lv, 373p
Review:
NRivistaMItali i/1 (1967) 182-183 (Remo Giazotto)
MTimes cviii/1490 (Apr 1967) 330-331 (Stanley Sadie)
MLetters xlviii/3 (Jul 1967) 280 (Jack A. Westrup)
Mf xxi/4 (1968) 524-525 (Ludwig Finscher)
179. Schrade, Leo; Lichtenhahn, Ernst (eds.):   De scientia musicae studia atque orationes. [ce]Schrade (1967), 623p
Review:
Zvuk 89 (1968) 600-601 (Dragotin Cvetko)
RivistaItaliMcol v/1 (1970) 320-322 (Clotilde Morricone)
MLetters xlix/4 (Oct 1968) 390 (Lorenzo Bianconi)
Mf xxii/3 (Jul-Sep 1969) 375-376 (Ludwig Finscher)
180. Geck, Martin:   Die Wiederentdeckung der Matthäuspassion im 19. Jahrhundert. StMges19Jh 9 (1967), 181p
Review:
MKirche xxxvii (1967) 167-168
MLetters xlviii (1967) 388 (J. A. Westrup)
Musikhandel xviii (1967) 370
Musica xxii (1968) 195-196 (Hans Christoph Worbs)
Mf xxi/2 (Apr-Jun 1968) 248-249 (Reinhold Sietz)
Muzsika xi/2 (1968) 36 (Ferenc Bónis)
NZsfM(2) cxxix (1968) 187-188 (Lars Ulrich Abraham)
Kmusiker xix (1968) 36-37 (Friedhelm Krummacher)
SvenskTidskrMf l (1968) 147-148 (Hans Eppstein)
181. Kross, Siegfried; Schmidt, Hans (eds.):   Colloquium amicorum. Joseph Schmidt-Görg zum 70. Geburtstag. VeröffBeethovenHausBonn (1967), xxviii, 461p
Review:
MLetters xlviii/4 (1967) 381-383 (Hans F. Redlich; Reinhold Sietz)
182. Palisca, Claude V.:   Baroque music. (1968), 230p
Review:
MTimes cx (1969) 266 (Stanley Sadie)
MReview xxxii (1971) 83-84
MLetters lxii (1981) 432 (Ian Spink)
EarlyM x/4 (1982) 537-539 (Denis Arnold)
183. Chiapusso, Jan:   Bach's World. (1968), x, 338p
Review:
MTimes cxi/1528 (Jun 1970) 606 (Stephen Daw)
MLetters li/3 (Jul 1970) 323-325 (Ronald Woodham)
Notes xxvi/3 (Mar 1970) 524 (Karl Geiringer)
184. Großmann-Vendrey, Susanna:   Felix Mendelssohn Bartholdy und die Musik der Vergangenheit. StMges19Jh 17 (1969), 254p
Review:
MLetters li/3 (Jul 1970) 231-322 (Jack Allen Westrup)
NZsfM(2) cxxxi/11 (Nov 1970) 573-574 (Wolfgang Seifert)
MKirche xl/3 (May-Jun 1970) 209 (Gerhard Schuhmacher)
Mf xxv/3 (Jul-Sep 1972) 394-396 (Friedhelm Krummacher)
185. Williams, Peter F.:   Figured Bass Accompaniment. (1970), 117, 131p
Review:
MTimes cxii (1971) 239-240 (Denis Arnold)
MLetters lii/3 (1971) 321-322 (Jack Allen Westrup)
JAMSoc xxv/3 (1972) 476-479 (Tharald Borgir)
OrganYb iii (1972) 105 (Gustav Leonhardt)
MQ lviii/2 (1972) 308-315 (George J. Buelow)
AmerRecorder xiv/3 (1973) 91 (Dale Higbee)
186. George, Graham:   Tonality and Musical Structure. (1970), 231p
Review:
MLetters li/4 (1970) 449-450 (Ian Spink)
MEducatorsJ lviii/2 (1971) 68-69 (Lothar Klein)
187. Young, Percy Marshall:   The Bachs 1500-1850. (1970), 341p
Review:
MTimes cxi (1970) 605-606 (Walter Emery)
MLetters li/3 (Jul 1970) 323-325 (Ronald Woodham)
NZsfM(2) cxxxii/3 (1971) 169-170 (Gustav Adolf Trumpff)
188. Landon, H. C. Robbins; Chapman, Roger E. (eds.):   Studies in eighteenth-century music. A tribute to Karl Geiringer on his seventieth birthday. [fs]Geiringer70 (1970), 425p
Review:
MReview xxxii (1971) 181-182
MLetters lii/2 (1971) 201-202 (Ronald Woodham)
AmerRecorder xiii/2 (1972) 63 (Dale Higbee)
189. Bullivant, Roger:   Fugue. (1971), 198p
Review:
MLetters liii (1972) 194-196 (John Cockshoot)
MTimes cxiii (1972) 463-464 (Michael Tilmouth)
MReview xxxv/2 (1974) 170-172 (A. E. F. Dickinson)
190. Chailley, Jacques:   L'Art de la fugue de J. -S. Bach. Étude critique des sources. Remise en ordre du plan. Analyse de l'œuvre. AuDelaNotes 1 (1971), 89p
Review:
RevueMcol lviii/1 (1972) 120-121 (Helge Meinardi)
MKirche xlii/1 (1972) 22-25 (Ludwig Prautzsch)
CourrierM xxxviii (1972) 100 (Claude Chamfray)
MLetters liv/4 (Oct 1973) 497-498 (Basil Lam)
StudMcolAcadSciHungaricae xviii/1-4 (1976) 396-398 (F. András Wilhelm)
OrganYb vii (1976) 171-172 (Stephen Daw)
EtudesClassiques xlvi/1 (1978) (Joseph Legrand)
191. Bach, Johann Sebastian:   Schweigt stille, plaudert nicht. Kaffeekantate. BWV 211. FaksRBachWS 10 (1971), 36p
Review:
MLetters liv/1 (Jan 1973) 104-105 (J.A.W)
192. Leavis, Ralph:   Bach's setting of Psalm CXVII (BWV 230). MLetters 52/1 (Jan 1971), 19-26
Review:
MLetters lii/3 (Jul 1971) 346-347 (Roger Bullivant), replied by author in MLetters liii/1 (Jan 1972) 114-115, replied by Bullivant in MLetters liii/3 (Jul 1972) 353-354
193. Salmen, Walter (ed.):   Der Sozialstatus des Berufsmusikers vom 17. bis 19. Jahrhundert. MwArb 24 (1971), 146p
Review:
IReviewAesthSociolM iv/1 (1973) 133-134 (Koraljka Kos)
Mf xxv/4 (1972) 575-576 (Tibor Kneif)
HudebniVeda x/2 (1973) 165-166 (Jaroslav Buzga)
Diapason lxxvi/9 (1985) 8 (Bruce Gustafson)
Notes xli/3 (1985) 512-514 (William Weber)
Dix-huitième siècle, xviii (1986) 551-552 (Françoise Escal)
MLetters lxv/4 (1984) 402 (Alice Marie Hanson)
JAMSoc xxxix/1 (1986) 199-205
194. Robertson, Alec:   The Church Cantatas of J. S. Bach. (1972), xi, 356p
Review:
MTimes cxiii/1556 (Oct 1972) 975-976 (Stephen Daw)
AmerRecorder xiii/4 (Nov 1972) 133 (Dale Higbee)
Notes xxix/3 (Mar 1973) 459-460 (Karl Geiringer)
MLetters liv/1 (Jan 1973) 93-94 (J. A. Westrup)
EarlyM ii/1 (Jan 1974) 45,47 (Denys Darlow)
195. Bach, Johann Sebastian:   Konzert D-Dur für Cembalo und Streichorchester. BWV 1054. FaksRBachWS 11 (1972), 12p Faks; 8p text
Review:
MLetters liv/1 (Jan 1973) 111 (J.A.W.)
196. Dorfmüller, Kurt (ed.):   Quellenstudien zur Musik. Wolfgang Schmieder zum 70. Geburtstag. [fs]Schmieder70 (1972), 204p
Review:
MTimes cxiii (1972) 979-980 (Stephen Daw)
MSacra xcii/5 (1972) 265-267 (Albrecht Schneider-Klement)
Notes xxix/4 (1973) 726-729 (John H. Baron)
Zeitschrift für Bibliothekswesen und Bibliographie, xx (1973): 116-118 (Hartmut Schaefer)
MLetters liv (1973) 228-229 (J. A. Westrup)
ZsfDPhilologie 92 (1973): 466-467 (Horst Brunner)
Neue Zeitschrift für Musik, cxxxiv/10 (1973) 671 (Dietrich Kämper)
MKirche xlv/1 (1975) 27-28 (Peter L. Voß)
Mf xxviii/1 (1975) 105-106 (Imogen Fellinger)
197. Schneider, Herbert:   Die französische Kompositionslehre in der ersten Hälfte des 17. Jahrhunderts. MainzStMw 3 (1972), 304p
Review:
MLetters liv (1973) 463-465 (H. M. Brown)
198. Dürr, Alfred (ed.):   Matthäus-Passion BWV 244. Markus-Passion BWV 247 / Johann Sebastian Bach. NBA 2/5 (1972), xiv (5p facs), 309p
Review:
Notes xxx/2 (1973) 347 (Richard Loyan)
MLetters lv/1 (Jan 1974) 117-118 (Paul Steinitz)
MTimes cxvii (1976) 833-834 (Stephen Daw)
199. Dürr, Alfred (ed.):   Johann Sebastian Bach. Matthäus-Passion. Frühfassung BWV 244b. NBA 2/5a (1972), xxviii, 44 bl
Review:
Notes xxx/2 (1973) 347 (Richard Loyan)
MLetters lv/1 (Jan 1974) 117-118 (Paul Steinitz)
MTimes cxvii (1976) 833-834 (Stephen Daw)
200. Marshall, Robert Lewis:   The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal works. PrincetonStudM 4 (1972), xv, 271p; 189p
Review:
AmerRecorder xiii/4 (1972) 135 (Dale Higbee)
JMTheory xvi/1-2 (Spring-Winter 1972) 220-237 (Felix Salzer)
MTimes cxiv/1562 (Apr 1973) 380-381 (Walter Emery)
Notes xxix/4 (Jun 1973) 714-716 (Gerhard Herz)
JAMSoc xxvi/3 (Autumn 1973) 483-488 (Paul Brainard)
MLetters liv/3 (Jul 1973) 362-363 (J. A. Westrup)
MQ lx/2 (Apr 1974) 275-279 (Christoph Wolff)
SvenskTidskrMf lvi/1 (1974) 77-80 (Hans Eppstein)
Mf xxviii/4 (1975) 463-466 (Alfred Dürr)
MiscelMcol ix (1977) 218-220 (Andrew D. McCredie)
201. Donington, Robert:   A Performers Guide to Baroque Music. (1973), 320p
Review:
MLetters lv (1974) 215-219 (Basil Lam)
EarlyM ii/2 (1974) 117-121 (Michael Collins); 121-122 (Trevor Pinnock)
MQ lx/4 (1974) 658-664 (Frederick Neumann)
AmerRecorder xv/2 (1974) 57-59 (Dale Higbee)
MTimes cxvi (1975) 626 (Howard Mayer Brown)
MReview xxxvi (1975) 148 (Henry Raynor)
American reference books annual vi (1975) 499 (Claude V. Palisca)
MEducatorsJ lxii/3 (1975) 101-102 (William Pepper)
Notes xxxiii/2 (1976) 296-298 (Gilbert L. Blount)
Muzsika xxii/3 (1979) 43-45 (András Wilheim)
202. Mendel, Arthur (ed.):   Johannes-Passion. BWV 245 / Johann Sebastian Bach. NBA 2/4 (1973), xiii (6 facs), 265p
Review:
MLetters lvi/1 (Jan 1975) 91-95 (Frederick Hudson)
Notes xxxii/1 (Sep 1975) 121-122 (Gerhard Herz)
MGesellschaft xxvi/1 (1976) 49-50 (Ingeborg Allihn)
MTimes cxvii (1976) 833-834 (Stephen Daw)
MKirche xlvi (1976) 235-237 (Gerhard Schuhmacher)
203. Ryom, Peter (ed.):   Verzeichnis der Werke Antonio Vivaldis (RV). Kleine Ausgabe. (1974), 214p
Review:
Brio xiii/1 (1976) 23-24 (Clifford Bartlett)
MLetters lviii/1 (1977) 105-107 (Eleanor Selfridge-Field)
SbornikFilFakultBrnUniv xxvii-xxviii/13-14 (1979) 86-87 (Rudolf Pecman)
MGesellschaft xxxi/3 (1981) 180 (Karl-Heinz Viertel)
204. Glahn, Henrik; Sørensen, Søren; Ryom, Peter (eds.):   Report of the Eleventh Congress. Copenhagen 1972. [cr]Copenhagen1972 (1974), 799p
Review:
MLetters lvii/1 (1976) 71-73 (John Caldwell)
MelosNZsfM ii/6 (1976) 508-509 (Carl Dahlhaus)
205. Marshall, Robert L. (ed.):   Studies in Renaissance and Baroque music in Honor of Arthur Mendel. [fs]Mendel (1974), 392p
Review:
MTimes cxvi (1975) 1067-1068 (George J. Buelow)
MKirche xlv/4 (1975) 193 (Ulrich Prinz)
Kmusiker xxvii (1976) 111-112 (Heinz Lohmann)
MLetters lvii (1976) 203-205 (Gerald Abraham)
RevueMcol lxii/1 (1976) 157-159 (Jean-Michel Vaccaro)
206. Mendel, Arthur:   Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie II · Band 4. Johannes-Passion. Kritischer Bericht. NBA 2/4 (1974), 356p
Review:
MSacra xciv (1974) 114 (Th. R.)
MKirche xliv (1974) 83-85 (Ulrich Prinz)
Notes xxxii (1975) 121-122 (Gerhard Herz)
Musica xxix (1975) 260 (Lothar Hoffmann-Erbrecht)
MLetters lvi (1975) 91-95 (Frederick Hudson)
MKirche xlv (1975) 26-27 (Ulrich Prinz)
MGesellschaft xxvi/1 (1976) 49-50 (Ingeborg Allihn)
MTimes cxvii (1976) 833-834 (Stephen Daw)
207. Dürr, Alfred:   Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie II · Band 5. Matthäus-Passion. Markus-Passion. Kritischer Bericht. NBA 2/5 (1974), 276p
Review:
MLetters lv/1 (Jan 1974) 117-118 (Paul Steinitz)
MKirche xlv (1975) 26-27 (Ulrich Prinz)
MTimes cxvii (1976) 833-834 (Stephen Daw)
208. Bach, Johann Sebastian:   Brandenburgisches Konzert Nr. 5 D-Dur. (BWV 1050) (1975), 10, 25 Bl
Review:
MLetters lviii/2 (Apr 1977) 236-240 (Robert L. Marshall)
209. Campbell, Margaret:   Dolmetsch: the man and his work. (1975), xv, 318p
Review:
JViolaDaGambaSocAmer xiii/12 (1976) 63-65 (Sara Ruth Watson)
AmerRecorder xviii/2 (1977) 47 (Dale Higbee)
MLetters lvii/2 (1976) 197-199 (Michael Tilmouth)
210. Blume, Friedrich:   Protestant Church Music: A History. (1975), xv, 831p
Review:
MTimes cxvii (1976) 572 (Nicholas Temperley)
EarlyM iv (1976) 309-311 (John Caldwell)
MLetters lviii (1977) 76-77 (Gerald Abraham)
211. Schwarz, Vera (ed.):   Violinspiel und Violinmusik in Geschichte und Gegenwart: Bericht über den Internationalen Kongress am Institut für Aufführungspraxis der Hochschule für Musik und Darstellende Kunst in Graz, vom 25. Juni bis 2. Juli 1972. BeitrAuffPraxis 3 (1975), 333p
Review:
MLetters lviii/4 (1976) 428-430 (Simon McVeigh)
212. Bach, Johann Christian:   Twelve Keyboard Sonatas, Op. V and Op. XVII. (1976), 2 vols
Review:
MLetters lvii/4 (Oct 1976) 434-435 (Barry Cooper)
213. Wolff, Christoph (ed.):   Vierzehn Kanons über die ersten acht Fundamentalnoten der Aria aus den 'Goldberg-Variationen', BWV 1087 / Johann Sebastian Bach. (1976), 20p
Review:
MKirche xlvi (1976) 235-237 (Gerhard Schuhmacher)
Musica xxxi/1 (1977) 62 (Lothar Hoffmann-Erbrecht)
MLetters lviii/2 (Apr 1977) 240 (Howard Ferguson)
Mf xxx/1 (1977) 130 (Wolfgang Birtel)
OrganYb x (1979) 161-162 (Peter Williams)
214. Benade, Arthur H.:   Fundamentals of Musical Acoustics. (1976), xii, 596p
Review:
JMTheory xxi/1 (1977) 177-179 (B.R. Gossick)
MLetters lviii/1 (1977) 88-89 (G.K. Woodgate)
GalpinSocJ xxx (1977) 164-166 (Philip Bate)
Notes xxxiii/4 (1977) 837-838 (Larry Rowan)
AmerRecorder xviii/1 (1977) 14-15 (Richard Sacksteder)
Mf xxxii/2 (1979) 218-220 (Jürgen Meyer)
Tibia v/1 (1980) 48-49 (Otto Steinkopf)
215. Hennenberg, Fritz:   Das Kantatenschaffen von Gottfried Heinrich Stölzel. BeitrMwFDDR 8 (1976), 245p
Review:
NRivistaMItali xii/3 (1978) 453-454 (Franco Piperno)
MLetters lix/1 (1978) 63-66 (Basil Smallman)
Mf xxxiii/1 (1980) 109-110 (Lothar Hoffmann-Erbrecht)
216. Schwendowius, Barbara; Dömling, Wolfgang (eds.):   Johann Sebastian Bach. Zeit - Leben - Wirken. [ce]JSBZeitLebenWirken (1976), 179p
Review:
GottesdKm (1976) 205-206
Musica xxx/5 (1976) 431-433 (G. W. Finke)
NMz(Regensburg) 5 (1976) 18 (Karlheinz Schlager)
MGottesd xxi (1977) 213-214 (Edwin Nievergelt)
MKirche xlvi (1976) 235-237 (Gerhard Schuhmacher)
MLetters lviii/4 (Oct 1977) 447-450 (Basil Lam)
ArsOrgani xxv/53 (1977) 176-177 (Hermann J. Busch)
MSacra xcvii (1977) 145-146 (Johannes Piersig)
OMzs xxxiii (1978) 51 (Rudolf Klein)
Orchester(Mainz) xxvi (1978) 335-336 (Kurt Westphal)
LitMFineArts xii (1979) 117-118 (Winfried Kirsch)
RevistaMChilena xxxiii/146-147 (1979) 123-126 (Francisco Curt Lange)
MTimes cxx (1979) 916 (Stephen Daw)
Heterofonia xii/3 (1979) 30-32 (Francisco Curt Lange)
OrganYb x (1979) 173-174 (Peter Williams)
AmerRecorder xx/4 (1980) 171 (Dale Higbee)
MErziehung xxxvii/1 (1984) 150 (Christine Forster)
MTimes cxxvi (1985) 156 (Stanley Sadie)
ChoralJ xxvii/9 (1987) 32 (Lemuel Berrz, Jr)
217. Dürr, Alfred:   Zur Chronologie der Leipziger Vokalwerke J. S. Bachs. MwArb 26 (1976), 173p
Review:
Mf xxx/4 (1977) 532-533 (Wolfgang Birtel)
MGottesd xxxi (1977) 135-136 (Walter F. Hindermann)
Musica xxxi/3 (1977) 260-261 (Gerhard Wienke)
MKirche xlvii/3 (1977) 133-134 (Peter L. Voss)
MSacra xcvii (Johannes Piersig)
GalpinSocJ xxxi (1978) 177-178 (Ralph Leavis)
MLetters lx/3 (1979) 325-328 (Basil Lam)
MTimes cxxi/1649 (Jul 1980) 441-442 (Stephen Daw)
OrganYb xi (1980) 145 (Peter Williams)
218. Siegmund-Schultze, Walther:   Johann Sebastian Bach. ReclamUBib 633 (1976), 265p
Review:
MLetters lviii/4 (Oct 1977) 447-450 (Basil Lam)
BeitrMw xx/2 (1978) 137-153 (Hans Gunter Hoke)
MSchule xxx (1979) 28-32 (Armin Schneiderheinze)
219. Veilhan, Jean-Claude:   Les Règles de l'interprétation musicale à l'époche baroque. (1977), 101p
Review:
MLetters lx (1979) 209-210 (Susan Wollenberg)
220. Busoni, Ferruccio:   Sulla trascrizione per pianoforte delle opere per organo di Bach. (1977), 113p
Review:
MLetters lx/3 (Jul 1979) 366-369 (John C. G. Waterhouse)
221. Dürr, Alfred:   Studien über die frühen Kantaten Johann Sebastian Bachs. (1977), 264p
Review:
MLetters lx/3 (Jul 1979) 325-328 (Basil Lam)
OrganYb x (1979) 172 (Peter Williams)
MTimes cxxi/1649 (Jul 1980) 441-442 (Stephen Daw)
222. Bach, Johann Sebastian:   Opere per Liuto. [BWV 995-1000, 1006a] (1977), 3 vols: xi, 71p; xiii, 58p; 51p
Review:
JfLuteSocAmer (1978) 97-99 (Peter Danner)
Stimulus (Sep 1978) 50-51 (Louis Grijp)
MLetters lxiii/1-2 (Jan-Apr 1982) 147-148 (Nigel North)
MTimes cxxiv/1680 (Feb 1983) 109 (John Steele)
Ongakugaku xxix/1 (1983) 76-78 (Michio Tominaga)
EarlyM xi/3 (1983) 385, 387, 389 (Nigel North)
223. Busoni, Ferruccio:   Lo sguardo lieto: tutti gli scritti sulla musica e la arti. (1977), 550p
Review:
MLetters lx/3 (Jul 1979) 366-369 (John C. G. Waterhouse)
224. Bach, Johann Sebastian:   Musicalisches Opfer. BWV 1079. (1977), facs: Faszikel I,II,III (10, 16, 12p); Kommentar (14p)
Review:
MLetters lxii/1 (Jan 1981) 91-95 (Ursula Kirkendale)
225. Smither, Howard E.:   A History of the oratorio. Vol.1: The oratorio in the Baroque era. Protestant Germany and England. (1977), xxvii, 480p
Review:
Brio xv/2 (1978) 56-57 (Clifford Bartlett)
MQ lxiv/3 (1978) 397-402 (Ellen T. Harris)
Notes xxxiv/4 (1978) 55-57 (Margaret Murata)
EtudesClassiques xlvii/1 (1979) 57 (Joseph Legrand)
MLetters lx/3 (1979) 341-345 (Winton Dean)
NRivistaMItali xiii/3 (1979) 699-703 (Lino Bianchi)
JAMSoc xxxii/2 (1979) 343-349 (Sven H. Hansell)
OMzs xxxvii/12 (1982) 716 (Theophil Antonicek)
226. Walker, Daniel Pickering:   Studies in Musical Science in the Late Renaissance. (1978), 174p
Review:
MLetters lxi/2 (Apr 1980) 190-192 (Claude V. Palisca)
JMTheory xxiv/1 (Spring 1980) 107-116 (Joseph di Giovanni)
Archives internationales d'histoire des sciences, xxx (1980) 218-219 (Jamie Croy Kassler)
IReviewAesthSociolM xii/1 (Jun 1981) 75-78 (Stanislav Tuksar)
227. Davies, John Booth:   The Psychology of Music. (1978), 240p
Review:
MLetters lix/3 (1978) 362-363 (Aubrey T. Hickman)
AmerMTeacher xxix/3 (1980) 48-49 (David Z. Kushner)
228. Neumann, Frederick:   Ornamentation in Baroque and Post-Baroque Music with Special Emphasis on J. S. Bach. (1978), 630p
Review:
MTimes cxx (1979) 625, 638-639 (George Buelow)
MQ lxv/4 (1979) 597-604 (Lowell Lindgren)
Brio xvi/1 (1979) 18-19 (Clifford Bartlett)
Diapason lxx/9:837 (Aug 1979) 6-9 (Bruce Gustafson)
Notes xxxvi/4 (Jun 1980) 886-887 (Edward R. Reilly)
OrganYb xi (1980) 153-154 (Peter Williams)
JAMSos xxxiii/2 (Summer 1980) 394-402 (David Fuller)
FontesArtisM xxvii/3-4 (1980) 233-236 (Sven Hansell)
AmerOrganist(2) xiv/2 (1980) 18 (Hettrick Jane Schatkin)
MReview xli/1 (1980) 60-62 (Malcolm Boyd)
Studies in music xiv (1980) 128-133 (Graham Pont)
NZsfM(2) cxli/1 (1980) 67 (Klaus Hortschansky)
Tibia v/1 (1980) 49-50 (Hans-Peter Schmitz)
EarlyM ix/1 (Jan 1981) 63-64, 67-68 (Neal Zaslaw)
AmerRecorder xxi/4 (1981) 175-177 (Dale Higbee)
MLetters lxiii/1-2 (Jan-Apr 1982) 96-101 (Peter Williams)
Concerto ix/74 (1992) 5-6 (Thomas Synofzik)
OMzs xxxvii/12 (1982) 717 (Eduard Melkus)
RevueMcol lxix/1 (1983) 109-116 (Dennis Collins)
229. Flesch, Siegfried; Baselt, Bernd (eds.):   Händel-Handbuch: I. Lebens- und Schaffensdaten [S. Flesch]; Thematisch-systematisches Verzeichnis: Bühnenwerke. [HWV] HändelHandb 1 (1978), 539p
Review:
Brio xvi/2 (1979) 43-45 (Clifford Bartlett)
Notes xxxvi/4 (1980) 883-884 (Hugh Cobbe)
NZsfM(2) cxli/4 (1980) 394-395 (Ludwig Finscher)
NRivistaMItali xiv/2 (1980) 266-269 (Franco Piperno)
Mf xxxiv/1 (1981) 102-103 (Anna Amalie Abert)
BeitrMw xxiv/4 (1982) 301-303 (Werner Rackwitz)
MLetters lxiv/3-4 (1983) 232-234 (Winton Dean)
OrganYb xiv (1983) 129-130 (Peter F. Williams)
WürttembergBlKm liv/3 (1987) 104 (Helmut Völkl)
230. Kurzhals-Reuter, Arntrud:   Die Oratorien Felix Mendelssohn Bartholdys: Untersuchungen zur Quellenlage, Entstehung, Gestaltung und Überlieferung. MainzStMw 12 (1978), 251p
Review:
MKirche xlix/5 (1979) 238-239 (Walter Kwasnik)
MLetters lxi/1 (Jan 1980) 108-111 (William J. Gatens)
NRivistaMItali xiv/3 (Jul-Sep 1980) 438 (Franco Piperno)
231. Massenkeil, Günther; Popp, Susanne (eds.):   Festschrift für Ottmar Schreiber zum 70. Geburtstag am 16. Februar 1976. RegerSt 1 (1978), 170p
Review:
Musica xxxiii/2 (1979) 180-181 (MonikaSchwarz)
MKirche xlix/6 (1979) 301-302 (Gerhard Schuhmacher)
Mf xxxii/2 (1979) 180 (Reinhold Brinkmann)
MLetters lxi/1 (Jan 1980) 106-107 (Derrick Puffett)
232. Steinitz, Paul:   Bach's Passions. (1979), ix, 137p
Review:
MTimes cxx (1979) 915-916 (Roger Bullivant) followed by Ralph Leavis in cxxi/1643 (Jan 1980) 14 as 'Bach and the Old Lady', and Martin V. Hall in cxxi/1644 (Feb 1980) as 'Bach, Britten and Victoria'.
MLetters lxi/3-4 (Jul-Oct 1980) 365-367 (Basil Smallman)
MReview xlii (1981) 56-57 (Malcolm Boyd)
233. Basso, Alberto:   Frau Musika: la vita e le opere di J. S. Bach. [Vol. 1] (1685-1723). (1979), xii, 782p
Review:
RivistaIMSacra i/1 (1980) 112-114 (Antonio Schiliro)
NRivistaMItali xv/2 (1981) 271-273
LaCartellina v/18 (1981) 58-60
MLetters lxii/3-4 (1981) 361-364 (Eleanor Selfridge-Field)
Mf xxxiv/3 (1981) 367-368 (Alfred Dürr)
BeitrMw xxvii/1 (1985) 81-83 (Karl Heller)
EarlyM xiii/2 (1985) 277,279 (Stephen Daw)
234. Epstein, David:   Beyond Orpheus: studies in musical structure. (1979), xiv, 244p
Review:
Notes xxxvi/2 (1979) 357-358 (Larry Stempel)
Journal of the Arnold Schoenberg Institute, iii/2 (1979) 194-202 (Jonathan Mark Dunsby)
JMTheory xxv/2 (1981) 319-325 (Arnold Whittall)
MTheorySpec iii (1981) 150-157 (Gary E. Wittlich)
TheoryPractice vi/2 (1981) 47-53 (William Rothstein)
MAnalysis ii/2 (1983) 225-227 (Jonathan Harvey)
MLetters lxix/3 (1988) 407-409 (Victor Kofi Agawu)
235. Neumann, Werner (ed.):   Bilddokumente zur Lebensgeschichte Johann Sebastian Bachs. BachDok 4 (1979), 447p
Review:
MGesellschaft xxx/7 (1980) 397-399 (Armin Schneiderheinze)
GottesdKm (1980) 186-187
WürttembergBlKm xlvii (1980) 199-200 (Gottfried Simpfendörfer)
MErziehung xxxiv (Dec.1980) 77 (Eberhard Würzl)
MKirche li/1 (1981) 33-34 (Walter Blankenburg)
FontesArtisM xxviii/4 (1981) 331f (Thomas F. Heck)
Musica xxxv/4 (1981) 380-382 (Lothar Hoffmann-Erbrecht)
AmerOrganist(2) xv/12 (1981) 19 (D. DeWitt Wasson)
NZsfM(2) cxlii/5 (1981) 522 (Peter Rummenhöller)
MLetters lvii/3-4 (1981) 412-414 (Basil Lam)
Notes xxxvii/4 (1981) 857-858 (Robert Cammarota)
MTimes cxxiii/1673 (Jul 1982) 477, 479 (Stephen Daw)
MTimes cxxiii/1676 (Oct 1982) 693 (Stephen Daw)
BachJb lxviii (1982) 161-166 (Ingeborg Allihn)
LitMFineArts xv (1982) 173-174 (Winfried Kirsch);
Mf xxxvii/1 (1984) 57-59 (Martin Geck)
236. Schlichte, Joachim:   Thematischer Katalog der Kirchlichen Musikhandschriften des 17. und 18.Jahrhunderts in der Stadt und Universitätsbibliothek Frankfurt am Main. KatFrankfurt 8 (1979), 500p
Review:
MLetters lxi/3-4 (1980) 392-393 (Peter Ward Jones)
Mf xxxiii/1 (1980) 63-64 (Richard Schaal)
237. Plum, Karl-Otto:   Untersuchungen zu Heinrich Schenkers Stimmführungsanalyse. KölnBeitrMf 102 (1979), iv, 175p
Review:
MLetters lxii/2 (Apr 1981) 212-215 (Jonathan M. Dunsby)
Mf xxxiv/4 (1981) 509-511 (Elmar Seidel)
MAnalysis ii/1 (Mar 1983) 102-105 (William M. Drabkin)
238. Gustafson, Bruce:   French harpsichord music of the 17th century. A thematic catalog of the sources with commentary. StudMcol 11 (1979), xlv, 394p
Review:
Brio xvii/1 (1980) 31-32 (Clifford Bartlett)
MLetters lxii/1 (1981) 89-90 (Howard Ferguson)
Mf xxxv/2 (1982) 190-191 (Werner Breig)
AmerRecorder xxiv/4 (1983) 162-163 (Sabina Teller Ratner)
OrganYb xiv (1983) 125-127 (Peter F. Williams)
EarlyM xxxi/4 (Nov 2003) 582-604 (David Chung)
239. Williams, Peter F.:   A New History of the Organ from the Greeks to the Present Day. (1980), 233p
Review:
MReview xli/3 (Aug 1980) 235-237 (John Horton)
FontesArtisM xxvii/3-4 (Jul-Dec 1980) 231-232 (Pierre J. Hardouin)
EarlyM ix/1 (Jan-Mar 1981) 106-107 (Howard Schott)
GalpinSocJ xxxiv (Mar 1981) 166-168 (Edward Ridley; Keane Alexander)
MQ lxvii/1 (Jan 1981) 118-124 (George B. Stauffer)
Notes xxxviii/1 (Sep 1981) 71 (George R. Hill)
MLetters lxii/3-4 (Jul-Oct 1981) 370-371 (James Dalton)
240. Williams, Peter F.:   The Organ Music of J. S. Bach. II: Works based on Chorales (BWV 599-771 etc.) (1980), 357p
Review:
EarlyM ix/1 (Jan 1981) 96, 99-100 (Stephen Daw)
Music in Worship xvi (Jun 1981) 17-18 (Robin A. Leaver)
Notes xxxviii/1 (Sep 1981) 65-66 (George Stauffer)
Mf xxxv/2 (1982) 195 (Raimund W. Sterl)
MLetters lxiii/3-4 (Jul-Oct 1982) 347-348 (James Dalton)
BachJb lxviii (1982) 166-169 (Ernest May)
OrganYb xiii (1982) 146-147 (Gustav Leonhardt)
MQ lxix/1 (Winter 1983) 134-138 (Russell Stinson)
AmerOrganist(2) xx (1986) 29 (Arthur Lawrence)
241. Wolff, Christoph; et al.:   The New Grove: Bach Family. (1980), 372p
Review:
MTimes cxxiv/1690 (Dec 1983) 748 (Lionel Salter: '76 Bachs')
MLetters lxv/4 (Oct 1984) 394-396 (Susan Wollenberg)
EarlyM xii/2 (May 1984) 243 (Basil Smallman)
BachJb lxxii (1986) 135-140 (Gerhard Herz)
Muzyka xxxi/1 (1986) 105-110 (Magdalena Kwiatkowska)
242. Mellers, Wilfrid:   Bach and the Dance of God. (1980), viii, 324p
Review:
EarlyM ix/3 (Jul 1981) 357-361 (Keith Elcombe)
MLetters lvii/3-4 (Jul-Oct 1981) 357-361 (Ulrich Siegele)
NYReviewBooks xxviii/15 (8 Oct 1981) 6-10 (Joseph Kerman)
Notes xxxviii/3 (Mar 1982) 597-598 (James Parakilas)
AmerRecorder xxiv/2 (1983) 72 (William D. Gudger)
243. Williams, Peter F.:   The Organ Music of J. S. Bach. I: Preludes, Toccatas, Fantasias, Fugues, Sonatas, Concertos and Miscellaneous Pieces (BWV 525-598, 802-805 etc). 1 (1980), 365p
Review:
AmerOrganist(2) xiv/10 (1980) 6-8 (Hettrick Jane Schatkin)
Notes xxxviii/1 (1981) 65-66 (George Stauffer)
MLetters lxiii/3-4 (Jul-Oct 1982) 347-348 (James Dalton), followed by author in MLetters lxv/1 (Jan 1984) 135
BachJb lxviii (1982) 166-169 (Ernest May)
Mf xxxv/2 (1982) 193-196 (Raimund W. Sterl)
JBritishInstOrganStud vi (1982) 117-118 (John Rowntree)
MQ lxix/1 (Winter 1983) 134-138 (Russell Stinson)
AmerOrganist(2) xx (1986) 29 (Arthur Lawrence)
244. Bach, Johann Sebastian:   Das Wohltemperirte Clavier II. BritishLibMFacs 1 (1980), vii, 22 Bl
Review:
Notes xxxviii/4 (1982) 829 (Jacob Lateinner)
MLetters lxiii/3-4 (Jul-Oct 1982) 354-357 (Denis Matthews)
BachJb lxix (1983) 123-124 (Christoph Wolff)
OrganYb xiv (1983) 116-117 (Peter Williams)
245. Kühn, Hellmut; Nitsche, Peter (eds.):   Gesellschaft für Musikforschung: Bericht über den Internationalen Musikwissenschaftlichen Kongress Berlin 1974. [cr]Berlin1974 (1980), 632p
Review:
MLetters lxiii/1-2 (1982) 123-125 (David Hiley)
246. Bente, Martin (ed.):   Musik. Edition. Interpretation. Gedenkschrift Günter Henle. [gs]Henle (1980), 487p
Review:
Musica xxxv/6 (1981) 570 (Michael von Albrecht)
Notes xxxviii/2 (1981) 76-77 (Hans Lenneberg)
MLetters lxiv/1-2 (1983) (Alexander Hyatt King)
Mf xxxix/1 (1986) 57-60 (Christoph-Hellmut Mahling)
247. Crum, Margaret:   Catalogue of the Mendelssohn Papers in the Bodleian Library, Oxford Vol. I: Correspondence of Felix Mendelssohn Bartholdy and others. MbibliogrArb 7 (1980), xiv, 374p
Review:
MLetters lxiii/3-4 (1982) 319-320 (R. Larry Todd)
19cM vii/1 (Summer 1983) 85-87 (Marcia J. Citron)
248. Drummond, Pippa:   The German concerto: five eighteenth-century studies. OxfordMonographsM (1980), ix, 402p
Review:
MLetters lxii/2 (1981) 198-200 (Arthur Hutchings)
Notes xxxvii/4 (1981) 858-859 (Ellen T. Harris)
Mf xxxv/1 (1982) 93-94 (Jutta Ruile-Dronke)
MReview xliii/2 (1982) 142-147 (Frederick Hudson)
249. Degrada, Francesco (ed.):   Vivaldi Veneziano Europeo. StudiMVenetaQuadVivaldi 1 (1980), 370, xii p
Review:
NRivistaMItali xviii/3 (1984) 510-512 (Marcello Conati)
MLetters lxiv/3-4 (1983) 255-257 (Colin Timms)
250. Daw, Stephen:   The Music of Johann Sebastian Bach: The Choral Works. (1981), 240p
Review:
MLetters lxiii/3-4 (Jul-Oct 1982) 348-350 (Richard Jones)
MEducatorsJ lxviii/8 (Apr 1982) 69-70 (James Braswell)
MTimes cxxiv/1680 (Feb 1983) 123 (Robert Anderson)
EarlyM xi/3 (Jul 1983) 365-366 (Malcolm Boyd)
MKirche liv/5 (1984) 246-248 (Stephen A. Crist)
251. Rangel-Ribeiro, Victor:   Baroque Music: a Practical Guide for the Performer. (1981), xiii, 306p
Review:
MLetters lxiii (1982) 313-314 (Robert Donington)
Notes xxix/1 (1982) 85-88 (Mary Vinquist)
AmerRecorder xxiv/3 (1983)
252. Heartz, Daniel; Wade, Bonnie C. (eds.):   Report of the Twelfth Congress, International Musicological Society, Berkeley, 1977. [cr]Berkeley1977 (1981), xx, 912p
Review:
MLetters lxiii/3-4 (Jul-Oct 1982) 338-341 (Daniel Leech-Wilkinson)
Ethnomusicology xxix/3 (Fall 1985) 524-527 (James Porter)
253. Bent, Ian (ed.):   Source materials and interpretation of music: a memorial volume to Thurston Dart. [gs]Dart (1981), 452p
Review:
Brio xix/2 (1982) 57-58 (Clifford Bartlett)
MLetters lxiv/3-4 (1983) 229-231 (Denis Stevens)
GalpinSocJ xxxvi (1983) 145 (Edgar Hunt)
254. Braun, Werner:   Die Musik des 17. Jahrhunderts. NHandbMw 4 (1981), 385p
Review:
Musica xxxvi/6 (1982) 553 (Ludolf Lützen)
DanskAarbogMf xiii (1982) 132-136 (Søren Sørensen)
TijdschrVNedMgeschied xxxiii/1-2 (1983) 122-126 (Gert Oost)
TVerNederlandseMg xxxiii/1-2 (1983) 122-126 (Gert Oost)
JbVolksliedF xxix (1984) 155-156 (Jörg Fischer)
SvenskTidskrMf lxvii (1985) 127-129 (Erik Kjellberg)
HudebníVeda xxiii/1 (1986) 80-82 (Jaroslav Buzga)
MLetters lxvii/1 (1986) 62-65 (George J. Buelow)
255. Marx, Hans Joachim:   Johann Mattheson (1681-1764). Lebensbeschreibung des Hamburger Musikers, Schriftstellers und Diplomaten. Nach der 'Grundlage einer Ehrenpforte' und den handschritlichen Nachträgen des Verfassers herausgegeben und kommentiert. (1982), 171p
Review:
Musica xxxvii/2 (1983) 178 (Werner Braun)
NZsfM(2) cxliv/3 (1983) 38 (Matthias Henke)
MLetters lxv/2 (1984) 197 (George J. Buelow)
Mf xxxviii/2 (1985) 141-142 (Franz Giegling)
256. Donington, Robert:   Baroque Music: Style and Performance: A Handbook. (1982), x, 206p
Review:
MTimes cxxiii (1982) 842 (Neal Zaslaw)
NZsfM(2) cxliii/10 (1982) 76-77 (Barbara Zuber)
Notes xxxix/2 (1982) 65-66 (George B. Stauffer)
EarlyM xi/4 (1983) 533,535 (Denis Stevens)
MLetters lxvii (1986) 65-66 (Julie Anne Sadie)
257. Beach, David; Thym, Jurgen (trans.):   The Art of Strict Musical Composition / Johann Philipp Kirnberger. (1982), xix, 423p
Review:
MReview xliv/1 (1983) 55-56 (Malcolm Boyd)
MTheorySpec vi (1984) 100-103 (Raymond Haggh)
MLetters lxv/1 (1984) 64-65 (Philip J. Whitmore)
JMTheory xxviii/1 (1984) 124-128 (William E. Caplin)
258. Türk, Daniel Gottlob:   School of Clavier Playing or Instructions in Playing the Clavier for Teachers & Students. (1982), xxxvi, 563p
Review:
MLetters lxiv/3-4 (1983) 284-285 (Philip J. Whitmore)
JALS xiv (1983) 128-129 (Maurice Hinson)
AmerRecorder xxiv/4 (1983) 159-162 (Frederick Neumann)
Notes xl/4 (1984) 773-775 (Floyd K. Grave)
JMTheory xxviii/1 (1984) 154-157 (Harald Manfred Krebs)
EarlyKeyboardJ 3 (1984-1985) 85-90 (Caroline S. Fruchtman)
259. Ottenberg, Hans-Günter:   Carl Philipp Emanuel Bach. ReclamUBib 923 (1982), 409p
Review:
OMzs xxxviii/10 (1983) 597 (Manfred Wagner)
MErziehung xxxvii (1984) 151 (Eberhard Wurzl)
MLetters lxv/4 (Oct 1984) 375-376 (Susan Wollenberg)
MGesellschaft xxxiv (1984) 609-610 (Karl-Heinz Viertel)
BachJb lxx (1984) 177-178 (Hans-Joachim Schulze)
Mf xxxix/1 (1986) 72-73 (Lothar Hoffmann-Erbrecht)
NZsfM(2) cl/3 (1989) 53-54 (Peter Niklas Wilson)
260. Samuel, Harold E.:   The Cantata in Nuremberg during the seventeenth Century. StudMcol 56 (1982), xii, 536p
Review:
MLetters lxv/1 (1984) 95-97 (Lini Hübsch-Pfleger)
EarlyM xii/1 (1984) 95-97 (Elizabeth Roche)
Mf xxxix/1 (1986) 64-66 (Lini Hübsch-Pfleger)
261. Neumann, Frederick:   Essays in Performance Practice. StudMcol 58 (1982), xii, 321p
Review:
MLetters lxv/1 (1984) 94-95 (Peter F. Williams)
AmerRecorder xxv/4 (1984) 147 (Alfred Mann)
262. Feder, Georg; Rehm, Wolfgang; Ruhnke, Martin (eds.):   Quellenforschung in der Musikwissenschaft. WolfenbüttelF 15 (1982), 160p
Review:
MLetters lxv (1984) 103-104 (Barry Cooper)
263. Robinson, Ray:   A study of the Penderecki St. Luke Passion. (1983), 124p
Review:
NZsfM(2) cxlv/4 (1984) 46 (Marita Einemann)
MLetters lxvi/2 (1985) 175 (Malcolm Barry)
264. Wolff, Konrad:   Masters of the Keyboard: Individual Style Elements in the Piano Music of Bach, Haydn, Mozart, Beethoven and Schubert. (1983), 206p
Review:
MLetters lxv/4 (Oct 1984) 406-407 (Philip Whitmore)
JAmerLisztSoc xv (1984) 211-212 (Charles Timbrell)
EarlyKeyboardJ iii (1984-85) 97-99 (Francis M. Whang)
Notes xlii/4 (Jun 1986) 771-773 (Jan La Rue)
AmerMTeacher xli/5 (1992) 85-86 (Janice Saffir)
BeethovenNewsletter vii/1 (1992) 19-20 (Kevin Bazzana)
MOpinion cxiv (1991) 70 (Denby Richards)
Notes xlviii (1991) 518-521 (Kenneth Drake)
265. Todd, R. Larry:   Mendelssohn's Musical Education. A Study and Edition of His Exercises in Composition. Oxford, Bodleian Ms Margaret Deneke Mendelssohn C. 43. (1983), 260p
Review:
Composer lxxx (1983) 28 (Nigel Burton)
NZsfM(2) cxliv/7-8 (1983) 66 (Hans Christoph Worbs)
TheoryPractice viii/2 (1983) 49-52 (Floyd K. Grave)
Notes xl/4 (1984) 784-786 (Eric Werner)
CurMcol 37-38 (1984) 224-228 (Douglass Seaton)
MLetters lxv/3 (1984) 288-290 (Jeffrey Hollander)
RevueMcol lxxi/1-2 (1985) 206-208 (Jean-Alexandre Ménétrier)
Mf xxxviii/4 (1985) 323-324 (Gerhard Schuhmacher)
266. Boyd, Malcolm:   Bach. (1983), 290p
Review:
MTimes cxv/1693 (Mar 1984) 152 (Ann Bond)
EarlyM xii/2 (May 1984) 241,243 (Basil Smallman)
MLetters lxv/4 (1984) 391-393 (Peter F. Williams)
Soundings xii (Winter 1984-85) 71-75 (Robin A. Leaver)
AmerOrganist(2) xix (1985) 14 (Vernon Gotwals)
MReview xlvi/1 (1985) 56 (H.T.E. Miles)
Muzyka xxxi/1 (1986) 103-105 (Magdalena Kwiatkowska)
Notes lviii/1 (2001) 59-62 (David Schulenberg)
AmerOrganist(2) xlii/3 (Mar 2008) 92 (Arthur Lawrence)
267. Humphreys, David:   The Esoteric Structure of Bach's Clavierübung III. (1983), ix, 99p
Review:
MTimes cxxv/1699 (Sep 1984) 530 (Ann Bond)
MLetters lxv/4 (Oct 1984) 393-394 (Peter Williams)
EarlyM xii/2 (May 1984) 243,245,247 (Keith Elcombe)
MAnalysis iv/3 (1985) 303-308 (Alan Street)
268. Basso, Alberto:   Frau Musika: la vita e le opere di J. S. Bach. Vol. 2: 1723-1750. (1983), xiii, 972p
Review:
BeitrMw xxvii/1 (1985) 81-83 (Karl Heller)
OMzs xl/2-3 (1985) 131-132 (Gerhard Croll)
MLetters lxvi/2 (Apr 1985) 129-130 (Eleanor Selfridge-Field)
EarlyM xiii/2 (May 1985) 277,279 (Stephen Daw)
269. Rastall, Richard:   The Notation of Western Music. (1983), xiv, 306p
Review:
EarlyM xii (1984) 535 (Daniel Leech-Wilkinson)
Composer lxxxi (1984) 26-27 (Hugo Cole)
MLetters lxvi/2 (1985) 133-135 (Susan Rankin)
270. Buelow, George J.; Marx, Hans Joachim (eds.):   New Mattheson Studies. [ce]NewMatthesonStudies (1983), xiv, 495p
Review:
EarlyM xii/4 (1984) 539, 541 (Hans Lenneberg)
NZsfM(2) cxlv/6 (1984) 44-45 (Peter Cahn)
MQ lxxi/1 (1985) 98-101 (Georgia Cowart)
Notes xli/3 (1985) 506-508 (Roger L. Lustig)
MLetters lxvii/1 (1986) 74-76 (Susan Wollenberg)
271. Grant, Kerry Scott:   Dr. Burney as critic and historian of music. StudMcol 62 (1983), xiv, 381p
Review:
Notes xl/4 (Jun 1984) 777-778 (Georgia Cowart)
MLetters lxv/4 (Oct 1984) 360-361 (Peter Le Huray)
MReview xlvi/3 (Aug 1985) 217-220 (Malcolm Boyd)
272. Kirkpatrick, Ralph:   Interpreting Bach's Well-tempered Clavier. A Performer's Discourse of Method. (1984), 132p
Review:
MLetters lxvi/4 (Oct 1985) 406-407 (Peter Williams)
MReview xlvi/1 (1985) 56-58 (Gregory S. Johnson)
NZsfM(2) cxlvi/6 (1985) 54-55 (Gerhard Schuhmacher)
EarlyKeyboardJ v (1986-87) 70-76 (Sally Fortino)
273. Klotz, Hans:   Die Ornamentik der Klavier- und Orgelwerke von Johann Sebastian Bach. (1984), 219p
Review:
NZsfM(2) cxlvi/4 (1985) 56-57 (Jürgen Blume)
Musica xxxix/5 (1985) 487-489 (Alfred Dürr)
MKirche lv/3 (1985) 140-141 (Wolfgang Stockmeier)
OMzs xl/2-3 (1985) 136-138 (Ingomar Rainer)
MBildung xvii [lxxvi]/12 (1985) 899 (Rudolf Walter)
MLetters lxvi/4 (Oct 1985) 402-403 (Peter Williams)
Mf xxxix/3 (1986) 275-276 (Günther Wagner)
ZsMpädag xi/34 (1986) 70-71 (Martin Blindow)
LitMFineArts xix (1986) 51-52 (Heinz Bernhard Orlinskí)
BachJb lxxv (1989) 237 (Christoph Wolff)
274. Ruhnke, Martin (ed.):   Georg Philipp Telemann. Thematisch-systematisches Verzeichnis seiner Werke: Telemann- Werkverzeichnis (TWV); Instrumentalwerke. Band 1. (1984), xi, 246p
Review:
NZsfM(2) cxlvi/1 (1985) (Jürgen Blume)
MLetters lxvi/3 (1985) 40 (Fiona Smart)
Tibia xi/4 (1986) 287, 289 (Christian Schneider)
AmerRecorder xxix/2 (1988) 66 (Dale Higbee)
275. Williams, Peter F.:   The Organ Music of J. S. Bach. III: A Background. 3 (1984), 309p
Review:
Notes xli/4 (Jun 1985) 712-713 (Russell Stinson)
EarlyM xiii/2 (May 1985) 279-280,283 (John Butt)
Mf xxxix/2 (1986) 166 (Raimund W. Sterl)
BachJb lxxii (1986) 140-143 (George B. Stauffer)
RevueMcol lxxii/2 (1986) 292-294 (Georges Guillard)
AmerOrganist(2) xx (1986) 29 (Arthur Lawrence)
PerformPractReview ii/1 (Spring 1989) 103-106 (Kimberly Marshall)
MLetters lxxi/4 (Nov 1990) 559-561 (Keith Elcombe)
276. Finson, Jon W.; Todd, R. Larry (eds.):   Mendelssohn and Schumann: essays on their music and its context. [ce]MendelssohnSchumann (1984), 189p
Review:
MReview xlvi/2 (May 1985) 138-139 (John Horton)
MQ lxxii/1 (1986) 138-147 (Leon Botstein)
MLetters lxvii/2 (Apr 1986) 179-180 (Clive Brown)
277. Mahling, Christoph-Hellmut; Wiesmann, Sigrid (eds.):   Gesellschaft für Musikforschung. Bericht über den musikwissenschaftlichen Kongress Bayreuth 1981. [cr]Bayreuth1981 (1984), xvi, 642p
Review:
MLetters lxix/2 (1988) 261-262 (Ewan West)
LitMFineArts xxi/1 (1988) 99-100 (Hermann Jung)
278. Mahling, Christoph-Hellmut; Wiesmann, Sigrid (eds.):   Bericht über den Internationalen Musikwissenschaftlichen Kongreß, Bayreuth 1981. [cr]Beyreuth1981 (1984), xvi, 642p
Review:
MLetters lxix/2 (Apr 1988) 261-262 (Ewan West)
LitMFineArts xxi/1 (1988) 99-100 (Hermann Jung)
279. Collins, Michael; Kirk, Elise K. (eds.):   Opera & Vivaldi. [cr]Dallas1980 (1984), 170-178
Review:
MLetters lxvi/3 (1985) 286-287 (Denis Arnold)
OperaQ iii/2 (1985) 171-173 (Jan Krzywicki)
Notes xlii/1 (1985) 41-44 (James Parsons)
280. Elvers, Rudolf (ed.):   Festschrift Albi Rosenthal. [fs]Rosenthal (1984), 319p
Review:
MLetters lxvii/2 (1986) 192-94 (Stephen Roe)
281. Gallo, F. Alberto:   Die Nationslehre im 14. und 15. Jahrhundert. GesMtheorie(Zaminer) 5 (1984)
Review:
MLetters lxix/1 (M. Everist)
282. Haas, Max:   Die Musiklehre von Johannes de Garlandia bis Franco. GesMtheorie(Zaminer) 5 (1984)
Review:
MLetters lxix/1 (M.vEverist)
283. Eggebrecht, Hans Heinrich:   Die Mehrstimmigkeitslehre von ihren Aufängen bis zum 12. Jahrnndert. GesMtheorie(Zaminer) 5 (1984)
Review:
MLetters lxix/1 (1984) (M. Everist)
284. Sachs, Klaus-Jürgen:   Die Contrapunktus-Lehre im 14. und 15. Jahrhundert. GesMtheorie(Zaminer) 5 (1984)
Review:
MLetters lxix/1 (1988) (M. Everist)
285. Zaminer, Frieder; Eggebrecht, Hans Heinrich (ed.et.al.):   Die Mittelalterliche Lehre von der Mehrstimmigkeit. GesMtheorie(Zaminer) 5 (1984), xi, 388
Review:
Mf xl/4 (1984) 380-382 (Erich Reimer)
Jahrbuch für Opernforschung ii (1986) 191-195 (Rudolf Flotzinger)
LitMFineArts xix (1986) 60-62 (Erhard Karkoschka)
JMtheory xxxii/1 (1988) 133-147 (Lee Allen Rothfarb)
MLetters lxix/1 (1988) 57-60 (Mark Everist)
MKirche lxiii/1 (1993) 29, 32 (Wolfgang Stockmeier)
286. Eppstein, Hans (ed.):   Drei Sonaten für Viola da Gamba und Cembalo. BWV 1027-1029 / Johann Sebastian Bach. NBA 6/4 (1984), xi (6), 52p
Review:
MLetters lxviii/1 (Jan 1987) 82-84 (Yuki Konii)
287. Riethmüller, Albrecht:   Ferruccio Busonis Poetik. NStMw 4 (1984), 212p
Review:
MLetters lxx/4 (1989) 571-574 (Antony Beaumont)
LitMFineArts xxiii/1 (1990) 55-56 (Hellmut Federhofer)
Mtheorie v/3 (1990) 281-283 (Thomas Kabisch)
Musica xlv/4 (1991) 258 (Reinhard Ermen)
288. Sauveur, Joseph:   Collected writings on Musical Acoustics (Paris 1700-1713). TuningTemperLib 2 (1984), 279p
Review:
MLetters lxix/1 (1988) 68-70 (Albert Cohen)
289. Newman, Anthony:   Bach and the Baroque. A Performing Guide to Baroque Music with Special Emphasis on the Music of J. S. Bach. (1985), vi, 212p
Review:
MLetters lxvii/4 (Oct 1986) 416-417 (Peter Williams)
MTimes cxxvii/1723 (Oct 1986) 561-562 (Alexander Silbiger: 'Playing Bach')
EarlyKeyboardJ v (1986-87) 80-87 (Barton Hudson)
AmerOrganist(2) xxi (1987) 40-43 (Frederick Neumann) repr. in StudMcol cviii (1989) 235-241
290. Schulze, Hans-Joachim; Wolff, Christoph:   Bach Compendium. Analytisch-bibliographisches Repertorium der Werke Johann Sebastian Bachs. (BC). Band I. Teil 1. Vokalwerke I. BC 1/1 (1985), 426p
Review:
MusikratDDRBul xxii/1 (1985) 44-46 (Ingeborg Allihn)
MTimes cxxviii/1735 (Sep 1987) 495 (John Butt)
MGesellschaft xxxvii (1987) 550-551 (Ingeborg Allihn)
OrganYb xviii (1987) 122 (Peter Williams)
Musica xli/6 (1987) 554-556 (Alfred Dürr)
Mf xli/1 (1988) 175-176 (Lothar Hoffmann-Erbrecht)
MLetters lxix/2 (Apr 1988) 254-255 (Stephen Daw)
EarlyM xvii/1 (1989) 79-88 (Joshua Rifkin)
Notes xlvii/2 (Dec 1990) 361-368 (John Butt)
OMzs xlv/12 (1990) 740-741 (Andrea Lindmayr)
BachJb lxxvii (1991) 207-214 (Robert L. Marshall)
Brio xxviii/2 (1991) 92-95 (Clifford Bartlett)
LitMFineArts xxiv/1-2 (1991) 90-91 (Ulrich Konrad)
Musica xlvi/1 (1992) 47-48 (Georg von Dadelsen)
Mf xlvii/4 (1994) 317-318 (Reinmar Emans)
AmerBachSocNL (Fall 1997) 5-7 (Robert Marshall)
291. Prinz, Ulrich (ed.):   300 Jahre Johann Sebastian Bach. Sein Werk in Handschriften und Dokumenten; Musikinstrumente seiner Zeit; seine Zeitgenossen. [ce]300JJSB (1985), 419p
Review:
MBayern xxxii (1986) 142-145 (Kurt Dorfmüller)
MLetters lxviii/2 (Apr 1987) 176-177 (George J. Buelow)
MKirche lviii/1 (1988) 38-39 (Gerhard Schuhmacher)
292. Williams, Peter F.:   Bach, Handel, Scarlatti Tercentenary Essays. [ce]BHSTercentenaryEssays (1985), xiv, 363p
Review:
EarlyM xiii/4 (Nov 1985) 571,573 (Malcolm Boyd)
MLetters lxvii/3 (Jul 1986) 290-292 (George J. Buelow)
MQ lxxii/2 (1986) 272-282 (George B. Stauffer)
AmerRecorder xxvii/3 (1986) 117 (Eleanor Selfridge-Field)
Mf xl/4 (1987) 364-366 (Hellmut Federhofer)
BachJb lxxiv (1988) 240-243 (Hans-Joachim Schulze)
293. Klotz, Hans:   Studien zu Bachs Registrierkunst. JgIBGSchaffhausen 1983-84 (1985), 115p
Review:
MLetters lxviii (1987) 262-263 (James Dalton)
ZsfMpädag xii/40 (1987) 68 (Martin Blindow)
294. Suchalla, Ernst (ed.):   Briefe von Carl Philipp Emanuel Bach an Johann Gottlob Immanuel Breitkopf und Johann Nikolaus Forkel. MainzStMw 19 (1985), 605p
Review:
Mf xl/3 (1987) 272 (Günther Wagner)
JMcolResearch vii/2-3 (1987) 294-301 (Hans Lenneberg)
MLetters lxix/1 (Jan 1988) 78-80 (Susan Wollenberg)
Concerto vi/44 (1988) 5-6 (Reinhard Goebel)
BachJb lxxv (1989) 240-250 (Stephen L. Clark)
BachJb lxxvii (1991) 223 (Stephen L. Clark)
295. Wolff, Christoph (ed.):   Orgelchoräle der Neumeister-Sammlung. Organ Chorales from the Neumeister Collection. (Yale University Manuscript LM 4708) / Johann Sebastian Bach. [NBA] [4] [9] (1985), x, 70p
Review:
EarlyKeyboardJ v (1986-87) 76-80 (Charles Krigbaum)
OrganYb xvii (1986) 123-124 (Peter Williams)
MGesellschaft xxxvi/5 (1986) 273-274 (Dietmar Hiller)
MGottesd xl (1986) 66-67 (Andreas Marti)
Orgelvriend xxviii/7 (1986) (Jan W. van Spronsen)
MLetters lxviii/2 (Apr 1987) 195-196 (James Dalton)
MTimes cxxviii/1730 (Apr 1987)_ 188 (Philip K. Norman)
JAMSoc xl/2 (Summer 1987) 352-361 (Russell Stinson)
Notes xliii/4 (Jun 1987) 919-921 (Karl Geiringer)
Mf xlii/2 (1990) 193 (Klaus-Jürgen Sachs)
296. Mac Intyre, Bruce Campbell:   The Viennese Concerted Mass of the Early Classic Period. (1986), xxiv, 764p
Review:
MLetters lxxi/4 (Nov 1990) 569-571 (James Dack)
297. Birtel, Wolfgang; Mahling, Christoph-Hellmut:   Aufklärungen: Studien zur deutsch- französischen Musikgeschichte im 18. Jahrhundert - Einflüsse und Wirkungen. II. AnnalesUnivSaraviensis 20 (1986), 243p
Review:
MLetters lxix/3 (1988) 382-384 (Susan Wollenberg)
Mf xliv/3 (1991) 288-290 (Peter Rummenhöller)
298. Zenck, Martin:   Die Bach-Rezeption des späten Beethoven zum Verhältnis von Musikhistoriographie und Rezenptionsgeschichtsschreibung der 'klassik'. BeihAfMw 24 (1986), 315p
Review:
LitMFineArts xx (1987) 168-169 (Rudiger Gorner)
MLetters lxiv/2 (Apr 1988) 263-264 (Barry Cooper)
NZsfM(2) cxlix/10 (1988) 54-55 (Andreas Ballstaedt)
BeitrMw xxxi/1 (1989) 70-71 (Dietmar Hiller)
BachJb lxxvi (1990) 90-91 (Christoph Wolff)
299. Stauffer, George B.; May, Ernest (eds.):   J. S. Bach as Organist. His instruments, music and performance practices. [ce]JSBOrganist (1986), 308p
Review:
EarlyM xiv/4 (Nov 1986) 583,585 (John Butt)
HetOrgel lxxxii/11 (1986) 423 (Ewald Kooiman)
EarlyKeyboardJ iv (1985-86) 68-74 (Robert Parkins)
ArsOrgani xxxv/1 (1987) (Hermann J. Busch)
Mf xl/3 (1987) 272 (Günther Wagner)
CurMcol xliii (1987) 71-76 (Russell Stinson)
BachJb lxxiv (1988) 240-243 (Hans-Joachim Schulze)
MLetters lxix/4 (Oct 1988) 515-516 (James Dalton)
Orgelvriend xxxi/3 (1989) (Jan W. van Spronsen)
PerformPractReview iii/1 (Spring 1990) 86-89 (Kimberley Marshall)
AmerOrganist(2) xxxv/3 (1 Mar 2001) 65-66 (Frank Morana)
300. Baselt, Bernd (ed.):   Händel-Handbuch, III. Thematisch-systematisch Verzeichnis: Instrumentalmuik; Pasticci und Fragmente. [HWV] HändelHandb 3 (1986), 442p
Review:
NRivistaMItali xxi/2 (1987) 310 (Umberto Nicoletti Altimari)
LitMFineArts xx (1987) 147-148 (Annelise Liebe)
WürttembergBlKm liv/3 (1987) 104 (Helmut Völkl)
NZsfM(2) cxlviii/1 (1987) 58 (Egon Voss)
OrganYb xviii (1987) 121-122 (Peter F. Williams)
MLetters lxix/1 (1988) 66-67 (Terence Best)
Mf xliii/3 (1990) 279-280 (Herbert Schneider)
301. Harrán, Don:   Word-Tone Relations in Musical Thought: from Antiquity to the Seventeenth Century. McolStudDoc 40 (1986), xviii, 517p
Review:
Notes xliv/2 (1987) 267-269 (Peter Kivy)
EarlyM xv/3 (1987) 403-404 (David Fallows)
JMTheory xxxii/2 (1988) 357-366 (Maria Rika Maniates)
JAMSoc xlii/1 (1989) 161-172 (Bonnie J. Blackburn)
MLetters lxx/1 (1989) 78-79 (John Stevens)
NRivistaMItali xxiii/4 (1989) 600-602 (Enrico Fubini)
Muzyka xxxvii/1 (1992) 90-98 (Ryszard J. Wieczorek)

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