IF SO, YOU COULD BE IN LINE TO RECEIVE A HELEN RAMSEY TURTLE SCHOLARSHIP, WHICH WILL NORMALLY BE AWARDED TO ONE RECIPIENT ONLY AND WILL BE OF AT LEAST £800 IN VALUE.
The selection panel will expect you to outline clearly what you hope to gain personally from your experience in North America, and how you intend to use this experience to benefit the wider community upon your return to Northern Ireland.
They must be typed or word-processed and returned to firstname.lastname@example.org or Student Guidance Centre (University Road, Belfast, BT7 1NN) by the deadline of 4.30 pm on Tuesday 5 May 2015.
BMus graduate, Graeme Stewart (2004), has won the 2014 Reel Awards prize in the Best Score – Drama category for his soundtrack to the film A Nightingale Falling. According to the Reel Awards website:
‘Graeme Stewart’s score for Garret Daly & Martina McGlynn’s historical drama A Nightingale Falling, set in Ireland during the War of Independence of 1919-1921 is a beautiful little score and worthy winner of the Drama catergory [sic]. Tender woodwind solos are among the highlights of some wonderfully evocative thematic material that’s given a strong outing by The Ulster Orchestra (currently at risk from UK finding cuts). The overriding emotion is one of sadness reflecting those caught up in the conflict but Stewart’s score turns up the drama when required to give a strong and varied soundtrack.’
Congratulations to Graeme! You can read more about the awards athttps://reelmusic.wordpress.com/2015/01/27/2014-reel-music-awards-the-winners-2/.
Film studies students in the school of Creative Arts are keeping everything crossed for the success of short film Boogaloo and Graham which has just been nominated for an Oscar. Directed by Michael Lennox and produced by Brian Falconer and Out of Orbit productions, the film has been nominated in the live action short category.
Third year film studies students Rebecca Kelly and Rebekah Davis worked on the short film as assistant producer and runner respectively and are hoping for a good result from the Hollywood awards ceremony which takes place on Sunday 22 February.
Davis commented about the experience, “I basically got involved because I've worked with Michael Lennox on lots of other Cinemagic projects. He asked me to be a runner but I ended up doing lots of bits and pieces during the four days such as location managing and taking actors to and from the unit base to the set.
Michael knows I'm interested in the camera side of things and he made sure I was able to see what was being shot on the monitor so I had a real close up look at what was happening.
It was so exciting that I was able to see the workings of an Oscar and BAFTA nominated set, and to realise that it is possible for people like me and the rest of my class to make material like this. Northern Ireland is going places!”
The QUB students are pictured here with the young stars Riley Hamilton and Aaron Lynch.
Dr Martin Downling, a lecturer in traditional Irish music at the School of Creative Arts, has been featured in the Irish Times with a review of his recent book "Traditional Music and Irish Society: Historical Perspectives by Martin Dowling".
Between the jigs and the reels, says Mícheál Ó Súilleabháin, this is a skilful, sustained trawl through traditional music’s evolution...
Last Wednesday saw Director of the British Board of Film Classification David Cooke and Head of Policy David Austin visit the department of Film Studies at Queen’s and take part in a seminar with students. In a lively discussion event hosted by Dr Sian Barber in the Queen’s Film Theatre, BBFC policy decisions on a range of films were discussed, notably The King’s Speech and Made in Dagenham, as well as the problems posed by more extreme fare such as Human Centipede 2.
As well as considering the ethics of classification, the BBFC also answered questions on their work classifying films in the digital age and the complexities of classifying material for different regional audiences. The BBFC also talked about their recent pilot in classification of online music videos which is an ongoing collaboration with the British music industry.
The event was well attended and included students from Law and English as well as staff and student from Film Studies.
Director of the BBFC David Cooke with 3rd year Film Studies students Rachael Doherty, John Emerson and Joanne Russell
WAVE Trauma Centre has recently made available online the short film, Unheard Voices: Stories from the Troubles, which tells the stories of those who lost someone or who were injured during the Troubles. Directed by Cahal McLaughlin, Chair of Film Studies, the film was produced collaboratively with the participants and has been screened by seven Borough Council Good Relations Departments across Northern Ireland.
School of Creative Arts Teaching Assistants 2014-15
The School of Creative Arts wishes to engage the services of a number of Teaching Assistants to help in the delivery of modules on the BA Film, BA Drama, BMus and BSc Music Technology and Sonic Arts pathways during the academic year 2014-15.
The minimum requirement for someone wishing to act as a Teaching Assistant is a second-class undergraduate degree in the relevant subject (or equivalent) and previous experience of undergraduate teaching in that subject is desirable. If you wish to be considered for this opportunity then please complete the application form and return it to the School of Creative Arts by 5.00pm on 04 July 2014. Late applications will not be accepted. Those who have previously acted as Teaching Assistants in the School must also complete and return the form if they wish to be considered for opportunities in the academic year 2014-15.
The School will contact successful applicants with details of module teaching being offered. Those who are not selected for teaching assistance in 2014-15, but who meet the minimum requirement, will have their forms retained should future opportunities arise. Those who do not meet the minimum requirement will be informed that they cannot be considered for any opportunities. Please note that in the allocation of teaching assistance duties, priority may be given to full-time PhD students in the School who are entering the second year of their studies.
Teaching Assistants will be paid at the rate of £34 per hour: this hourly rate includes marking support, where required. Those who are offered teaching opportunities will be expected to undertake a short training course in October 2014.
Modules for which teaching assistance may be required include:
BSc Music Technology and Sonic Arts
MTE1004 Listening and Repertory
MTE1009 Audio Engineering 1
MTE1018 Fundamentals of Sound
MTE1022 Composition (Sonic Arts)
MTE2004 Electroacoustic Composition 1
MTE2009 Recording Techniques 1
MTE2015 Sound Design for Film
MTE2040 Designing Digital Music and Interactions 1
MTE2042 Designing Digital Music and Interactions 2
MTE3003 Electroacoustic Composition 2
MTE3009 Recording Technologies
MTE3013 Designing Musical Interactions
MUS1001 Musics of the World
MUS1011 Composition 1
MUS1013 Fundamental Harmony 1
MUS1014 Fundamental Harmony 2
MUS1041 Repertory A (Classical and Romantic)
MUS1042 Repertory B (Western Music 1890-2000)
MUS2001/ Early 20th Century Technique and Style
MUS2015 Classical Analysis
MUS2037/ Piano Pedagogy
MUS2041 Repertory C (Western Music: Medieval to 1750)
MUS3054 Experimental Music
MUS3069 Traditional Irish Music: Form, Style and Development
BA Film Studies
FLM1001 Introduction to Film Studies 1
FLM1002 Introduction to Film Studies 2
FLM1004 Introduction to Film Practice
FLM2001 Hollywood Cinema 1
FLM2015 Cinema and Modernism
FLM2019 Introduction to Screenwriting
FLM2026 British Cinema: Nation, Identity and Industry
FLM2027 Experimental Practice
FLM3019 Hollywood Cinema 2
FLM3024 Film and Music: Theory and Criticism
BA Drama Studies
DRA1001 Drama 1: Performance Analysis
DRA1002 Drama 2: Classical Theatre
DRA2001 Drama 3: Renaissance to Romanticism
DRA2002 Drama 4: Modernist Theatre
DRA3001 Drama 5: Postmodern Performance
DRA3033 Applied Theatre
SCA1001 Transitional Study Skills
SCA2043 Writing about the Creative Arts
To apply, please complete the following application form. The completed form, together with a recent CV should be returned in electronic or hard copy to:
Mr Kirk Shilliday
School of Creative Arts
Sonic Arts Research Centre
Queen’s University Belfast
Further Information: For further information, please email Kirk Shilliday email@example.com or telephone on 028 9097 4843.
Cinemagic Hosts Los Angeles Festival Showcase.
The LA Cinemagic International Film & Television Festival for Young People took place from 2-10 March with a special closing night showcase on 10 March, which recognised young film talent.
Speakers included Northern Ireland First Minister the Rt. Hon. Peter D. Robinson MLA, deputy First Minister Martin McGuinness MLA, Snow Patrol’s Gary Lightbody, and the charismatic MC for the evening Ross King.
Guests were treated to spirited performances from the talented group of young people from Northern Ireland as well Alexander Hamilton High School in Los Angeles. The young people participating in Cinemagic this year impressed the audience with their premiere screening of their short film “Punch” made at Cinemagic’s International Film Camp. The film dealt with a young girls struggle with domestic violence and her transformation from troubled teen to young adult through boxing; the film earned a well-deserved standing ovation.
The evening came to a close with a Q&A from entertainment industry professionals such as Peter Devlin (Sound Mixer, Thor, Iron Man 3), Ian Fox (Camera Operator, The Amazing Spiderman), Bernie Caulfield (Executive Producer, Game of Thrones), Lance O Connor (Producer) and Paula Malcolmson (Hunger Games).
Guests Included: Courteney Cox (Cougar Town), Gary Lightbody (Snow Patrol), Rory Cochrane (Argo), Damian McGinty (Glee), Ross King (TV Host), Darwin Shaw (The Bible), Jamie Gray Hyder (True Blood), Ocatvius J. Johnson (Intelligence), Russ Bain (Intelligence), Emma Fuhrmann (Blended), Desi Valentine (Singer/Songwriter).
Cinemagic Los Angeles engaged with 2,000 young people, over 10 days of festival activity, which boasted a wide programme of events with industry masterclasses, Q&A’s, and studio tours. Young people got insights into organizations such as The Jim Henson Company, HBO, Walt Disney Animation Studios, 20th Century Fox, The Academy of Motion Picture Arts and Sciences, New York Film Academy, Aero Film, Creative Visions Foundation.
Joan Burney Keatings, Cinemagic CEO said “With the support of our funders we are proud to present our 5th Cinemagic Los Angeles Film Festival. The industry partners have come on board to share their knowledge and skills with young people and this interaction provides vital encouragement for young people, inspiring and motivating them.
The Cinemagic Festival gives young people the opportunity to work with others from different cultural backgrounds and to create new channels of communication through the medium of film. The workshops help develop not only the young people’s film making skills but also their inter-personal skills, and the overall process of film viewing contributes to a deeper understanding of cultural difference.”
Some of the young people involved include Rebecca Kelly from Newry, Daniel Crowe from Bangor, Lori Brown from Larne, Niamh Brennan from Dunmurry, Rachel Carvill from East Belfast, Rebekah Jane Davis from Ballynahinch, Rory Maguire from Derry and Kyle Plunkett from NYC.
Carál Ní Chuilín, Arts Minister, commented “The work being done by Cinemagic in Ireland and internationally continues to provide young people with fantastic experiences. It also demonstrates the innovation and determination of the Cinemagic team to position themselves at the forefront of creativity on an international stage. Congratulations to all involved."
On 8 March, in celebration of International Women's Day, Dr Gascia Ouzounian curated a series of events that featured the talents of several students and staff in the School of Creative Arts. The day started with an all-ages improvisation workshop lead by vocalist and Performance Workshop tutor Caroline Pugh. This was followed by a panel on Women in the NI Music Industry that examined the different opportunities and challenges faced by local musicians. An evening concert, CarousELLE, featured SOCA students and staff including Isobel Anderson, Helena Hamilton, Matilde Meireles, Úna Monaghan, Katharine Philippa, Pugh and Ouzounian, as well as local musicians Rachel Anne Coulter, Claire Hall, Catherine Hatt, and Kasey Peters. The concert, which was promoted by a live performance on BBC Arts Extra and a full-page write-up in the Mirror, was played to a packed hall. It was warmly received by audiences, and the musicians are now planning further collaborations.
Sebastian Heinz, a PhD student at SARC will soon be releasing his KickStarter project, Patchblocks. Sebastian, based on his research at SARC, has created fantastic user friendly programmable synth modules that can be used in all sorts of ways to create music and sound. See the KickStarter video below for a demonstration.
Sebastian hopes to hold a Patchblocks release event at SARC. More details to follow.